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Latest Discography Additions:
| Jean Campbell And The Blenders - Da Doo Ron Ron / Easier Said Than Done (Lion Tops) |
| AC/DC - Problem Child (ATCO Records) |
| Allman Brothers Band, The - Jessica / Come And Go Blues (Capricorn Records) |
| Harry James & His Orch.* - Palladium Party / Ruby (Columbia) |
| Mr. Q (2) - Ladies Delight (Monica's Production) |
| Tenfold - Now Is Our Time (Bridge Nine Records) |
| Steve Alaimo And Betty Wright - After The Smoke Has Gone / I'm Thankful (Atco Records) |
| Soundgarden - The Day I Tried To Live (A&M Records) |
| Bonnie "Prince" Billy - The Black Sessions (Sangatte Records) |
| Tom Jones - The Tenth Anniversary Album Of Tom Jones - 20 Greatest Hits (Decca) |
| Henry Purcell - Alfred Deller, Wieland Kuijken, William Christie, Roderick Skeaping - Music For A While / O Solitude (Harmonia Mundi) |
| Harding & Browne - Working In A Coalmine (DJM Records (2)) |
| Jacques Siroul - My Lovely Planet (Selection) |
| Ceephax Acid Crew - Radiotin EP (Breakin' Records) |
| Drawn And Quartered - Drawn And Quartered (Not On Label (Drawn And Quartered Self-released)) |
| Premiata Forneria Marconi - Photos Of Ghosts (Victor Entertainment Japan) |
| We Have Band - You Came Out (Kill Em All) |
| A.C. Acoustics - She's With Stars (Yoyo Recordings) |
| Tom Gabel - Anna Is A Stool Pigeon (Sabot Productions) |
| Proclamation (2) - Straight Edge Hardcore (Bridge Nine Records) |
| Clausel* - Let Me Love You (Up Right Records) |
| Blue Cats, The* - The Tunnel (Vinyl Frontier (2)) |
| Candi Staton - Young Hearts Run Free (Warner Bros. Records) |
| Ceephax Acid Crew - Bainted Smile EP (Breakin' Records) |
| Robot DJs - Untitled (Not On Label) |
| P.F.M.* - Cook (Victor Entertainment Japan) |
| Various - Crazy Vol. 36 - Underground (Crazy Time (Magazine)) |
| Various - Still The Same Feeling (Keep It Alive Records) |
| Emiliano Orti - Underground Session (MP 2000) |
| Misfits - Misfits (Plan 9) |
| AC/DC - Highway To Hell / Night Prowler (Atlantic, Hispavox) |
| Fatboy Slim vs. Rolling Stones, The - Satisfaction Skank (Not On Label) |
| Prince - 3121 (Universal Records) |
| Tribe 8 - Roadkill Cafe (Alternative Tentacles) |
| AC/DC - Highway To Hell / Night Prowler (Atlantic, Hispavox) |
| Camille Sauvage - Fantasmagories (Zéro International Records) |
| Various - Wishing For The Days... (Envelope Records (2), Keep It Alive Records) |
| Blow Monkeys, The - Digging Your Scene (RCA, RCA) |
| Louis & Audrey Stamey - Spanish Guitar Strip (Klub) |
| DJ Smash (3) - Pringles Set (Not On Label) |
| Kelly Price - Priceless (Def Soul) |
| Various - Warriors Of The Darkness Vol. 2 (Crash Records) |
| Flying Lizards, The - Fourth Wall (Caroline Records) |
| Randy Crawford - Almaz (WEA International Inc.) |
| Sargeist - Tyranny Returns (Warmoon Records) |
| Franz Ferdinand - Record Store Day Limited Edition 12" (Sony) |
| Small Faces - Ogden's Nut Gone Flake (Castle Communications) |
| P.F.M.* - Chocolate Kings (Victor Entertainment Japan) |
| Elio Pacheco Y La Magnifica - African Fire (Top Hits) |
| Sydney Youngblood - Feeling Free (Circa Records Ltd., Virgin) |
| AC/DC - Highway To Hell / Touch Too Much (Atlantic) |
| Blow Monkeys, The - Wicked Ways (RCA) |
| Splintaa - Mayhem 32 (Shut Up And Dance Records) |
| Randy Crawford - Can't Stand The Pain (Warner Bros. Records) |
| 1349 - Revelations Of The Black Flame (Candlelight USA) |
| Dalis Car - The Waking Hour (Beggars Banquet) |
| Lesiman - High Tension Volume 3 (Vedette Records) |
| Portrait - All That Matters (Capitol Records, Capitol Records) |
| DND* - Vol 4 : Da Bomb (DND Productions) |
| Lou Rawls - At Last (Blue Note) |
| Blind-Boys, The* - Swing Hot Sweet Chariot (Time Records (3)) |
| Blasters, The - So Long Baby Goodbye (F-Beat) |
| Lesiman - High Tension Volume 1 (Vedette Records) |
| Maurice Williams & The Zodiacs - Stay / Do You Believe (Herald) |
| Jörg Knör - Jörg Knörs Promi Haltestellen...Im Netz Des VRR (VRR) |
| Manhattan Rhythm Featuring Smithcox Organisation, The* - Manhattan Rhythm (Foxy Records Inc.) |
| Amorphis - Tales From The Thousand Lakes (Relapse Records) |
| Instinct (12) - Friendship A Lifetime Commitment (Braveheart Records) |
| Rigo* - 4 Tracks From The Upcoming Album (Roxy Recordings) |
| AC/DC - Grab Hold Of This One! (Atlantic, Atlantic) |
| Various - Stella's Favorite Grooves (Flyte Tyme Records, LLC) |
| Blasters, The - I'm Shakin' (Slash Records) |
| Willie Clayton - Weak For You (Kirstee) |
| Fugs, The - First Album With Sizzling Additional Tracks From The Early Fugs (Fugs Records) |
| Nirvana - MTV Unplugged In New York (DGC) |
| Various - Party Tonight (EarBooks) |
| PFM* - Chocolate Kings (BMG (Japan)) |
| Jörgen Edman - O Helga Natt (Gazell) |
| Agnes (5) - 5 Spår Från Kommande Album (Roxy Recordings) |
| Looking For An Answer / Overpowering - Looking For An Answer / Overpowering (Lokos Records, Power It Up) |
| Playa - Cheers 2 U (Def Jam Recordings, Rush Associated Labels) |
| Dawn Fades - Dawn Fades (Energeia) |
| Burial Place - Damnation (Not On Label (Burial Place Self-released)) |
| Meli - Skills En Masse (Kopfnicker Records) |
| Blasters, The - Non Fiction (Slash Records, Warner Bros. Records) |
| Anita Lane - The Next Man That I See (Mute Records Ltd.) |
| Various - Hit Mix '92 (ZYX Records) |
| Spirit 84 - Beyond The Call Of Friendship (Good Life Recordings) |
| Pharrell* - In My Mind (Virgin) |
| Ingmar Nordström med Lars O. Carlssons Orkester - Gyllne Morgon (Frituna) |
| Heartwork (3) - Anything Dry (Dewa Records) |
| Boy Scouts, The - Wild Love! (Gougnaf Mouvement) |
| Mutiny (4) - Mutiny (Not Just Words Records) |
| Dig - Dig (Radioactive) |
| R.E.M. - Tourfilm (Warner Reprise Video) |
| Zerra I - Tumbling Down (Mercury) |
| GoodTimes-All-Star-Band - GoodTimes Songs (GoodTimes (2)) |
| Effetto Joule - Ultraviolet B (Not On Label) |
| Blasters, The - Over There: Live At The Venue, London (Slash Records, Warner Bros. Records) |
| Jump Street Band - Jump Street Band (MCA Records) |
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Latest Music Reviews:
Juno Reactor - Beyond The Infinite - fabriknos
Looking back on Juno Reactors influential discography, I consider Beyond The Infinite to be the strongest album from start to finish. While it may not have the same revolutionary impact Transmissions had on the trance & goa scenes, nor the mainstream appeal and accomplished production of Bible Of Dreams, nonetheless, we have in my opinion the most epic, creative, detailed and rich work from mastermind Ben Watkins. There is so much going on in these tracks sometimes that you forget you are listening to basically one guy with a bunch of machines. Yet, it doesnt suffer from that "over produced" sound that much psytrance fell prey to in the 90s. Instead of looping a rezzy 303 for an entire track or using the dreaded "blip" kick drums, Watkins instead relies on his studio wizardry and songwriting ability to produce an album that anyone would consider "complete." Its refreshing even in 2009 to hear trance like this, and the level of depth hasnt been matched very often, by Watkins himself or his peers. Not the groundbreaking release that Transmissions was, but a powerful step forward into a more diverse sound, and a sign of things to come for his future experimentation with dance music. |
Deep Dish With Everything But The Girl - The Future Of The Future (Stay Gold) - Astronica
Get this spinning and it quickly becomes clear that this get-together really was a match made in heaven, for this truly is an effortlessly stylish and timeless slice of deep-chilled house. Rippling electronics and classy piano riffs fuse seamlessly with Tracey Thorn’s flawless velvety vocals to give it an undeniable feel-good factor, and it has some nice percussive and bass-driven breaks to mix things up a bit too. It’s often said that “House is a Feeling”, and this gem really is the epitome of that sentiment. Essential listening from an inspired collaboration. |
Rosie Gaines - Closer Than Close - morris8371
A track more than any that changed house music in the UK. The underground house sound played in London from 93-97 was US dubs (MK mixes, Todd Edwards, MAW etc) of classic tracks plus some good (but mainly bad) UK attemps at US sounds.
This track split music in the UK because Tony Humphries played it on one of his legendary tours. From memory he told the press that he thought it was a Hippy Torales track, probably because of Rosie Gaines earlier (and better) track "I want u".
However this track was already big on the UK underground scene (which was beginning to be called UK Garage) and with Humphries giving the track the thumbs up, the UK scene felt he was playing one there own tunes and they had come of age.
Sounds silly now but really this track caused a ton of commotion at the time, it also went top 10 in the UK. |
Chuck Berry - Motorvatin' - julianem
I invented this compilation. I was working for the ad agency McCann Erickson and we had the Phonogram account. I had had some success advertising The Best of The Stylistics on tv and it went to Number 1. So Phonogram thought maybe we had a new angle and said take a look at our back catalogue. And there they had them all, every single track by Chuck Berry on Chess. I came up with the title Motorvatin from Maybelline and fought to keep all the best tracks on the album. They wanted My Ding A Ling as it was Berrys only UK No 1 and I resisted strongly. Its not there. We borrowed the car from the Mayor of Ventnor in the isle of Wight and had it trailered up to Battersea for the album shoot and the commercial which featured characters from the songs riding along against a deliberately back projected back ground. The album hit number 5 on the charts. On tour later that year 1975(?) from memory, Berry was playing a gig at Hammersmith and was presented with a gold disc. "Whats this for" he said. |
Bastards (2) - You Didn't Give A Damn About The Exploding Man Because You Killed Him - imstupidget
This is just a fantastic 12"! I bought this from a record store called Vinyl Dreams in Oasis in Birmingham UK in the early 90s. Id heard John Peel (RIP) play Neighbor by Bastards on his now legendary radio show and thought I have to get everything that Bastards have ever done. And I did!!! Shit For Brains is still one of my all time favourite tunes and I still play it today. Any fan of Sub-Pop, TAD, early Nirvana etc should try and get this 12" or anything else by Bastards. All the tracks on this 12" are great and have a real dirty, noisy yet tuneful and powerful feel to them which makes them great! Buy It Now! |
Do Shaska! - Lange Nacht Der Bibliotheken - ElectronichEad
Totally insane. While we had the Dutch Psychick Warriors Ov Gaia in the 90s, Do Shaska! could be there following up atm. Imaging industrial tribal with Eastern grooves and soundsamples and some industrial sound knobs. Smooth as silk it plays with rhythms and moods, invitating you to the dance floor. I call it wicked industrial tribal goa. Pity thing it is still difficult to get their tunes, as it deserves a bigger audience. This release is a good introduction of what they are capable to. |
Tipsy - Trip Tease - tuperwarable
This album is timeless. It is one of the best "modern easy-listenig" albums, if not the best. tipsy stolen loads of samples from masters of the 60s golden era such as dick hyman, and forged them together (with a very accurate electronic mash-up) in a solid-concept album, painting the landscapes that perfectly illustrate the cocktail mood. I bought the record when it was released and really got the impression i should since then follow and admire their work, but his is their best release up to date. |
Phutureprimitive - Sub Conscious - Maurautius
I find it hard to be able to compare this album to anything else out there. Tribal, Trance, Downtempo and Ambient all swirl together to create a unforgettable experience. There are shards of a male voice thrown in from time to time but the female voice, Alyssa, is the real treat vocal-wise on Sub Conscious. Phutureprimitive AKA Rain AKA Telepathik releases new music pretty rarely but when he does its always dripping with quality. This is the type of CD that one could never grow tired of and the only shame is the fact that its a rather unknown release on a even more unknown label. |
Various - Thunderdome XVIII - Psycho Silence - 2Styliztik
By 1997, the popularity of Hardcore in Australia had gone down since its glory days of the mid 1990s, but I kept buying the vinyl and supporting events with Hardcore. Like many other Hardcore fans, I loved the Thunderdome CDs and had collected a few in the space of a few years. By 1997, only Central Station had Thunderdome CDs and charged $50 for them! For whatever reason which I cannot really explain to this day, in the latter part of 1997, Thunderdome XVIII-Psycho Silence was stocked in every music store in Brisbane! Thunderdome 17 didnt get this treatment and afterwards Thunderdome 19 did not get such a wide distribution. Anyway I bought Psycho Silence, and I was not disappointed! Hard and fast Gabber tracks which is what Thunderdome was all about. It also included some "slow hardcore" tracks, at the time I did not like them but later I realised this CD ushered in the Newstyle Hardcore movement which would later take over the Dutch Hardcore scene. I liked Shut Em Down though, and Warehouse Beats slowly grew on me. The CD includes some classics, in particular Brohymn and Shut Up by Promo, actually Promo features heavily here with two other tracks and a top remix of Madman, all four are fantastic. Almost all the tracks are very good. I was so impressed with the CD, I made it a mission to get all of them on vinyl. As it stands, out of 39 actual tracks, I have 26 on vinyl with some tracks only released for the CD. As I met more like-minded people, I found out that I was not the only one that had a copy of Thunderdome 18, and many other people appreciated "the Thunderdome 18 tracks". In many of the sets I have done, I have played one track from Thunderdome 18, which has always been well received. The distribution of Psycho Silence in Australia has baffled me, but I have met good friends because of it, and am grateful for that. |
Exile* - Spanner In The Worx / King Shredda - Upakut
An absolutely sublime piece of vinyl. 2 tracks, very technical, very funky and both good to listen to and also hit hard if you play it in the club. Exile usually comes with a lot of tracks which can be called left of centre but if you like your stuff down the line but with an original twist check this 12" where you can. Definitely love on the ears. Its full of twisted drill sounds and the drums contain a lot of bongos, the bass is heavy but does not drown the complex sounds around it. Kind of musical but not very musical. Its electronic without a doubt but you really cannot tell. Probably for me the closest you can get to a perfect record |
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