| 1 | 1382 Wyclif Gen. II. 7 And Spiride In To The Face Of Hym An Entre Of Breth Of Lijf. | 6:18 | ||
| 2 | 1390 Gower Conf. II. 20 I Can Noght Thanne Unethes Spelle That I Wende Altherbest Have Rad. | 7:24 | ||
| 3 | 1440 Promp. Parv. 518/2 Wawyn, Or Waueryn, Yn A Myry Totyr, Oscillo. | 6:36 | ||
| 4 | 1483 Caxton Golden Leg. 208 B/2 He Put Not Away The Wodenes Of His Flessh With A Sherde Or Shelle. | 21:15 | ||
| 5 | 1559 W. Cuningham Cosmogr. Glasse 125 Within Which Draw An Other Circle, A Finger Bredth Distant. | 0:44 | ||
| 6 | (Gorgeous Curves Lovely Fragments Labyrinthed On Occasions Entwined Charms, A Few Stories At Any Longer Sworn To Gathered From A Guileless Angel And The Hilt Edges Of Old Hearts, If They Do In The Guilt Of Deep Despondency.) | 6:09 | ||
| 7 | 1671 Milton Samson 1122 Add Thy Spear, A Weavers Beam, And Seven-Times-Folded Shield. | 8:06 |
(P) & (C) 2004 samadhisound llc, the copyright in these sound recordings is owned by Vincent Carté under exclusive licence to samadhisound llc
Released in a high gloss six-panel digipak, with printed insert.
For fans of VOX Diadema's near-iconoclastic "Hildegard Von Bingen" chant recomposition style, Rabelais manages to take the essential soul of this idea to new and compelling heights.