I absolutely love this album. There's something about it I can't put my finger upon. Carsten's pure tones, bleeps, and buzzes are so contrasted to the minimal, nearly ethereal piano of Sakamoto, especially as the piano is heavily treated with sustain whilst the glitchy soundscapes tend to be composed of shorter or at least more terse "syllables." On one side, organic; on the other, mechanical and cold. Truly an ambient album (there is a distinct environment one steps into), it's a vision of what's to come that embraces the past, a "Music For Airports" remade for Futurist flights in Art Nouveau vessels.

If you like this try "Three White Roses and a Budd" a collaboration between Fila Brazillia and classical Pianist Harold Budd. Or Harold Budd's collaboration with Brian Eno "The Pearl". They both feature classical piano, just like Sakamoto on this release, mixed with the type electronic music the collaborators are famous for.

The feeling of immense sadness overwhelms me when listening to the beautiful music by Alva Noto and Ryuichi Sakamoto. The web of music is so thin, so fragile as if it might break any second and yet it brings a feeling of true perspicacity, is really touching and soothing.

Melancholic Piano combined with noto's sine waves and clicks. I play it at the office and drive everyone crazy cause they don't think the sine waves, etc are part of the CD. Very subtle.