| Title | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Drukqs (2xCD, Album) | Warp Records | WARPCD92 | UK | 2001 | |
| Drukqs (2xCD, Album) | Warp Records, Sire | CD 31174 | Canada | 2001 | |
| Drukqs (2xCD, Album) | Sire, Warp Records | 31174-2 | US | 2001 | |
| Drukqs (2xCD, Album) | Warner Music (Australia) | 4344-31174-2 | Australia | 2001 | |
| Drukqs (2xCD, Album) | Warner Music (Japan) | WPCR-11093/4 | Japan | 2001 | |
| Drukqs (2xCD, Album) | Virgin, Source, Warp Records | 7243 8 11251 2 0, WARPCD92 | France | 2001 | |
| Drukqs (2xCD, Album, Copy Prot.) | Zomba Records, Warp Records | RTD126.3568.2, WARPCD92 | Germany | 2001 | |
| Drukqs (2xCD, Album, Promo) | Warp Records, Sire | 31174-2A | US | 2001 | |
| Drukqs (2xCD, Album, Unofficial) | Warp Records (3), Not On Label (Aphex Twin) | WARPCD92, 2001-8-20/1 / 2001-8-20/2 | Russia | 2001 | |
| Drukqs (2xCass, Album, Promo) | Warner Music (Japan) | none | Japan | 2001 | |
| Drukqs (4xLP, Album + Box) | Warp Records | WARPLP92 | UK | 2001 | |
| Drukqs (4xLP, Album, MP + Box) | Warp Records | WARPLP92 | UK | 2001 | |
| Drukqs (4xLP, Album, Ltd + Box) | Warp Records | WARP LP 92 X | UK | 2002 | |
| Drukqs (2xCDr, Album, Promo) | Warp Records | WARP 92 | UK |
referencing Drukqs, 2xCD, Album, WARPCD92
referencing Drukqs, 4xLP, Album, Ltd + Box, WARP LP 92 X
referencing Drukqs, 2xCD, Album, WARPCD92
referencing Drukqs, 2xCD, Album, WARPCD92
referencing Drukqs, 4xLP, Album, MP + Box, WARPLP92
referencing Drukqs, 2xCD, Album, WARPCD92
referencing Drukqs, 2xCD, Album, WARPCD92
referencing Drukqs, 2xCD, Album, WARPCD92
referencing Drukqs, 4xLP, Album, Ltd + Box, WARP LP 92 X
referencing Drukqs, 2xCD, Album, WARPCD92
Disclaimer: Videos may not match exact release
This record is epic.
It is my favorite RDJ work, because you can feel how much passion he put into it and how mature his sound has grown. It is reminescent of SAW 85-92, yes. And ICBYD. And RDJ Album. And everything that came after Come to Daddy. It is a summary of RDJ's principles of music composition, but it is also so much more than that. The heaviest tracks, the most complex pieces i have ever heard, might sound just that on first listenings: complex. But they aren't really about frenetic drill 'n' bass only. It's the melodies that constantly appear, disappear, develop, the rhythm changes, the subtle details, so many that with each listen you find a new one. Or simply imagine a new one? It's so complex that you lose conscience. It's classical music, not because of the artwork, but because there are moments, happenings, stories, dialogues between sounds and sequences. And the piano tracks! How beautiful all of them. Drukqs would simply be a disaster without them. Besides being some of the most remarkable melodies i have heard coming from a bedroom music producer, they create the breathing moments between the epileptic-like tracks. It's like Yin and Yang. The conquest of balance. Imagine you are trapped inside a piano and suddenly all the pieces come to life and decide to kill you. This is the soundtrack to your attempt to escape.