| 1 | Die Drei Schwestern | 4:26 | ||
| 2 |
Hexenring
Vocals [Traditional Wiccan Chant Sung By] – Heike Robertson, Liz Crow |
8:27 | ||
| 3 |
Ein Jahr Und Ein Tag
Drums – Fanfarenzug Leipzig |
7:36 | ||
| 4 | Haltet Euch Fern! | 8:08 | ||
| 5 | Vivian Und Wiebke | 5:53 | ||
| 6 |
Berkanas Traum
Performer [The Dream Of Witches, Falling Trees And The Dying Sun] – Amélie (2), Annika (6) Vocals – Apoptose, Silke (5) |
8:14 | ||
| 7 |
Im Bannwald
Drums – Fanfarenzug Leipzig |
8:04 |
Presented in a foilprinted eight-panel gatefold digisleeve with an inner sleeve and a booklet including lyrics.
Merry Meet: Traditional Wiccan chant taken from the CD "Chanting" by Liz Crow and Heike Robertson. Reproduced with kind permission of Liz Crow and the Museum of Wichcraft in Boscastle, England.
Voice samples on 2, 4 & 5 taken from the movies "Lawn Dogs" (GB 1997), "Io non ho paura" (I, ES, GB 2003) & "Ginger Snaps Back" (CDN 2004).
Thanks to: Kerstin Ethner, Tobias Sperling and the whole Fanfarenzug Leipzig; Liz Crow, Graham King at the Museum of Witchcraft in Boscastle; Gary Carey; SeBiG; kimsonJa; Joachim & Klaus at Tesco and Silke, Amélie & Annika.
"Those unfamiliar with Germany’s Apoptose are missing out on one of the strongest contributors to the dark ambient genre. Normally saturated by the likes of Lustmord and the well-known throng of CMI staples such as Raison d’être and Desiderii Marginis, the meek and modest Apoptose rarely get a look-in at the top end. However, Apoptose are deserving of much more notoriety than they currently receive, chiefly due to the immense amount of focus and variation that goes into each release. Apoptose’s music is not filled with long swathes of dark ambient backwashes, its intention is not to drop you into a ‘dark zone’ and let you meander around for an hour without handing anything else to you. Each album is an exploration on a particular theme, filled with variety, thick ambience, atmosphere, wonder and discovery, all without overboiling the pot. 2010′s “Bannwald” has just appeared here at HH for review, and it’s better late than never for one of the finest works dark ambient has seen in recent years.
“Bannwald” is wholly dedicated to witchcraft, specifically witchcraft and the lore of the forest. The entire album drips with symbolism and references to it, of which it’s important for us to delve into to gain a full understanding of the 50 minutes of music which comprise this release. The word ‘Bannwald’ refers to a specific untouched forested area, a wooded wilderness which is allowed to develop on its own with no interference or influence from human intervention. The Bannwald exists within the Kellerwald ["bare forest" or "charcoal forest"], a low mountainous region in Hesse, central Germany, which is subject to special conservation status. As a result of its conservation, much of the Kellerwald thrives with its own natural life, with ravens, black storks, peregrines and red deer being some of the main inhabitants. But the inner Bannwald seems to take on a life of its own, and being left to evolve as it may, it takes on a certain natural mysticism and sentience. It’s little surprise then, that the literal translation of the word ‘Bannwald’ is “spell forest”.
http://heathenharvest.org/2012/02/19/apoptose-bannwald/