Tracklist
| Instruments Of Darkness (All Of Us Are One People) (The Prodigy Mix) | 3:38 | |
| Yebo (Interlude 1) (A Mark Gamble Mix) | 1:17 | |
| Roller 10 (The Rhythmatic Mix) | 4:47 | |
| Back To Backbeat (The Robert Gordon Mix) | 4:27 | |
| Shades Of Paranoimia (The Carl Cox Mix) | 3:42 | |
| Ode To A D.J. (Interlude 2) (A Mark Gamble Mix) | 1:09 | |
| Catwalk (The Ground Mix) | 5:02 | |
| Dragnet And Peter Gunn Have A Day At The Races (Interlude 3) (A Mark Gamble Mix) | 1:26 | |
| Legs (The Graham Massey Mix) | 3:17 | |
| L.E.F. (The Mark Brydon Mix) | 5:00 | |
| I Of The Needled (The Sweet Exorcist Mix) | 4:34 | |
| Crusoe (The LFO Mix) | 3:44 | |
| The Art Of Slow Love | 5:12 | |
| No Sun (Interlude 4) (A Mark Gamble Mix) | 1:47 |
Versions
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| The FON Mixes (CD, Album, whi) | China Records | WOLCD 1023 | UK | 1991 | |
| The FON Mixes (2x12", Comp, Ltd) | China Records | WOL 1023 | UK | 1991 | |
| The FON Mixes (CD) | Discovery Records | 74107 | US | 1991 | |
| The FON Mixes (CD) | Attic Records | ACD1335 | Canada | 1991 | |
| The FON Mixes (CD, Album) | China Records, CNR Records | 656.771-2 | Netherlands | 1991 | |
| The FON Mixes (CD, Album) | Off-Beat Records, China Records | OBR 01023-2, none | US | 1991 | |
| The FON Mixes (CD, Album, ora) | China Records | WOLCD 1023 | UK | 1991 | |
| The FON Mixes (CD, Comp) | China Records | CHI 9023-2 | Germany | 1991 | |
| The FON Mixes (CD, Comp) | China Records, China Records | 4509-96101-2, WOLCD 1023 | Germany | 1991 | |
| The FON Mixes (Cass, Comp) | China Records | WOLMC 1023 | UK | 1991 | |
| The FON Mixes (LP) | China Records | WOL 1023 | UK | 1991 | |
| The FON Mixes (CD, Comp) | Pony Canyon Inc. | PCCY-00316 | Japan | 1992 |
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Reviews & Discussion
referencing The FON Mixes, 2x12", Comp, Ltd, WOL 1023
This was my favorite record in 1991, and is one of my favorites today (though a lot of that has got to do with nostalgia, admittedly). Virtually all of these remixes are great. At its release, J.J. Jeczalik complained that they were too close to the originals, but I think that 15 years on it's probably best that way. Most of them are still rather dated by this point, but some of them (the Prodigy Remix, the Mark Brydon remix, the Ground remix, and some of the Mark Gamble work) still hold up today, and the Sweet Exorcist remix is Richard H Kirk's best work under that name, in my opinion. Additionally, the 2LP is pressed nice and loud at 45rpm, so it is entirely clubworthy.