Versions
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Oochy Koochy (12") | Rhythm King Records | R BFORD 1 | UK | 1988 | |
| Oochy Koochy (F.U. Baby Yeh Yeh) (12", Etch) | Rhythm King Records | BFORD 1 | UK | 1988 | |
| Oochy Koochy (F.U. Baby Yeh Yeh) (7") | Rhythm King Records | 7 BFORD 1 | UK | 1988 | |
| Oochy Koochy (12") | BMG Arista / Ariola Limited, Possum, Rhythm King Records | TDS 511, 12BFORD 1 | Australia | 1988 | |
| Oochy Koochy (7") | Possum | 104961 | Australia | 1988 | |
| Oochy Koochy (7") | Rhythm King Records | 7BFORD1 | UK | 1988 | |
| Oochy Koochy (CD, Maxi) | Rhythm King Records | BFORD 1CD | UK | 1988 | |
| Oochy Koochy (F.U. Baby Yeh Yeh) (12", S/Sided) | Rhythm King Records | FORD 1 | UK | 1989 |
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Reviews & Discussion
referencing Oochy Koochy (F.U. Baby Yeh Yeh), 12", Etch, BFORD 1
Quite easy to tell which one is the "raw" version and which isn't: the first presses don't have a picture of a little ear with a line through it on the back. The reason for this? Simple. Apparently the bassline on the first press wasn't actually EQ'd properly, and was WAY too heavy. The first time it was played out over a big system (at Heaven IIRC) it blew the speakers. Rhythm King records, fearing that they'd get sued by angry club owners, remixed the track and issued a second sleeve with the "watch your ears!" logo.
referencing Oochy Koochy, 12", R BFORD 1
At the time of release - 1988, this was without a doubt the best Acid house track that came out of the Britain. Some still say this is the best UK Acid track ever. Its the mindlessness of the samples, the heavy kick drum, mixed with superb use of the 303. The flip tracks are also outstanding, Flowers, captures the whole Acid house movement of the late 80's in the UK. Oochy Koochy Still sounding fresh today makes it a Classic. Oh and it really does blow your speakers...
referencing Oochy Koochy (F.U. Baby Yeh Yeh), 12", Etch, BFORD 1
this first original pressing is far better than the re-released version with "Flowers" tune on b side.this original version is a bit similar to the other one but with a difference : there is an "acid" bassline that evolves during all the track .& i think too this is a more "Raw" version that gives a best interest