| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| On The Move (12") | Tremolo | TRE2029 | Netherlands | 2000 | |
| On The Move (12") | Superstar Recordings | SUPER DJ 2018 | Germany | 2001 | |
| On The Move (12") | Positiva | 12TIV-158 | UK | 2001 | |
| On The Move (12") | Ultra Records | ULER 028-6 | US | 2001 | |
| On The Move (12") | Independance Records | IR 0123 | France | 2001 | |
| On The Move (12") | Temprogressive | TP9118MX | Spain | 2001 | |
| On The Move (12") | Fresca | FRX 031 | Italy | 2001 | |
| On The Move (12", Promo) | Positiva | 12TIVDJ-158 | UK | 2001 | |
| On The Move (12", Promo) | Positiva | 12TIVDJX-158 | UK | 2001 | |
| On The Move (12", W/Lbl) | Positiva | 12TIVDJ158 | UK | 2001 | |
| On The Move (CD, Maxi) | Positiva | CDTIV-158 | UK | 2001 | |
| On The Move (CD, Maxi) | Superstar Recordings, Universal Records | 1588882 | Germany | 2001 | |
| On The Move (CD, Maxi) | Orange Records | ORCDM 53716 | Denmark | 2001 | |
| On The Move (CD, Maxi) | Tremolo | TRE1052 | Netherlands | 2001 | |
| On The Move (CD, Maxi) | Positiva | CDTIV-158 | UK | 2001 | |
| On The Move (CD, Maxi, Promo) | Superstar Recordings | SUPER DJ 2018 | Germany | 2001 | |
| On The Move (CD, Single) | Antler-Subway, EMI Music (Belgium) | AS 5963 CDS, 7243 8 79610 2 9 | Belgium | 2001 | |
| On The Move (CD, Single) | Tremolo | TRE1054 | Netherlands | 2001 | |
| On The Move (CD, Single, Car) | Independance Records | IR 0124 | France | 2001 | |
| On The Move (CD, Single, Promo) | Positiva | CDTIVDJ-158 | UK | 2001 | |
| On The Move (CD, Single) | Universal Dance | 0158042 | Australia | 2002 | |
| On The Move (12") | Insolent Tracks | INSMX 352 N | Spain | 2005 | |
| On The Move (File, MP3) | Ultra Records | ULER 028 | US | 2007 |
The follow up, 'Infected' took everything that 'On The Move' was about, one step further.
These two tracks are quite different in mood from those Bart made later on but the extreme attention paid to detail remains. It is no wonder that many producers drew inspiration from them and also left a perceptible impact on UK hardcore (which already started to become more and more trancey).
Also a thing to notice that the radio edits are also perfect - not getting lost either in breakdowns or in beat parts (such as many radio edits of trance tracks), finding the balance between the two.