if you already have the original version of substrata, i just wanna let you know, that you´ll have to be a serious biosphere-addict, if you buy this release as well. the tracks on cd2 is not nearly as deep and touching as the 'original' ones.

I love man with a movie cam more than substrata even though the whole show is completely timeless.You can expect nothing but the best from Mr.Jennsen.All in all it's a subtly yet epic voyage into ambient realms and is in a league of its own.Man with a movie cam makes you feel like your in a film about the deepest of dreams and will really grab the inside of your soul.I recommend this one with a hot bath,incense and candles or alternatively to fall asleep to, but in the best possible way. To cut a long story short it's a classic.

This is Geir Jenssen at his best.
The lyrics are a mix of quotes from David Lynch's Twin Peaks
(Episode 9, 2002, 'Coma': "In my vision I was on the veranda of a vast estate, a palazzo of some fantastic proportion .. and I awoke with a tremendous feeling of optimism and confidence"), some more allusions to the power of the subconscious, german samples ("Hallo Schanghai - Ja, Bitte") and more weird stuff.
Hypnotically enveloping creepy electronica, designed to reward the careful listener. Highly recommended, something especially for the enquiring minds among us.

Well i'll try to keep this review short. If you've never heard this CD before... Then you're missing out. IDM? Not really... Ambient? Yes, very much so. Not your typical ambient mind you. This ambient is pure arctic. You can feel the cold winds in Sphere of No-Form. Meanwhile tracks like Poa Alpina and Hyperborea warm you up with their unique sound. You'll also hear various samples of voices (both english and russian), an airplane and various nature sounds. This adds a lot of life to the music. As a bonus, this re-issue comes with Geir's soundtrack to "Man With A Movie Camera", which as far as I know, was unavailable in CD format before this release. The sound of these tracks is very different then the Substrata side, but i'm guessing it was included probably because the music was recorded around the same time of eachother. As if that wasn't enough, we also get the 2 b-sides of Substrata that were included only in the Japanese release of the album in 1997. If you're considering getting into Biosphere, this would be the best place to start.. Not only do you get his classic (and probably best) album, but the bonus tracks just make it that much sweeter.

Substrata is NOT overrated. Substrata is the mark of an ambient genius. I say this as one who initially was, at best, lukewarm towards it. I say this as one who owns thousands of albums and comes across plenty of fodder. This album needs time to grow, to plant its melodies, like seeds in your head, to sprout years later upon further listening. If you like brain-tingle ambient, Substrata won't disappoint. I do not say this lightly.

I will only single out three tracks for special mention. 1 vividly evokes childhood memories as planes pass in the distant sky. I usually hate "environmental music", so to even mention this track is quite a compliment. 4 should immediately satisfy as it's brilliant and not inaccessible; and quintessentially Biosphere. 10 is the drop-dead standout track of the century. You may not believe it on first listen, but... trust me. Play it with headphones very (very!) loud.

Any true ambient fan who doesn't at least acknowledge some of the brilliance in Substrata hasn't listened to it enough. Period.

The first disc, the original substrata, is a journey through northern landscapes, a cohesive album filled with deep drones, lovely minimal melodies, some outside sounds and voice samples. In my opinion the best release from Geir, capable of standing the test of time -because it avoids the use of rapidly aging beats. And certainly a good way to start experiencing organic ambient.

Despite the overwhelmingly positive ratings for "Substrata," I'd be hard pressed to name a more overrated recording. Not bad by any means but largely unmemorable and unaffecting, "Substrata" sounds like a series of ambient cliches and rewards less and less with repeated listens. The bonus tracks are in a completely different style, that of Biosphere's ambient techno circa 1994-5, but are equally forgettable. The additional soundtrack, "Man With A Movie Camera," represents yet another completely different style, and without the film it was intended to accompany I imagine it will appeal mostly to diehard Biosphere fans.