| Lovelee Dae (Beloved Vocal Rmx) | ||
| Lovelee Dae (Original) | ||
| Lovelee Dae (Freaks Radioactive Dub) | ||
| Lovelee Dae (Beloved Surge Mix) |
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Lovelee Dae (12") | Classic | CMC090 | UK | 1997 | |
| Lovelee Dae (12") | Urban Tracks | Urban Lovelee Dae | Germany | 1997 | |
| Lovelee Dae (CD, Maxi) | Urban Tracks | 571 917-2 | Germany | 1997 | |
| Lovelee Dae '98 (12") | Blue Orange | BLUE 004 | Italy | 1998 | |
| Lovelee Dae (Part One) (12") | Playhouse | PLAY015 | Germany | 1998 | |
| Lovelee Dae Final Chapter (12") | Playhouse | PLAY023 | Germany | 1998 | |
| Lovelee Dae Finalchapter (12", Promo, W/Lbl, Sti) | Playhouse | playhouse 23 | Germany | 1998 | |
| Lovelee Dae (12") | True | TRUE 01 | Belgium | 1998 | |
| Lovelee Dae (CD, Maxi) | Substance | SUB 4891.2 | France | 1998 | |
| Lovelee Dae (CD, Maxi) | True | TRUE 01 CDM | Netherlands | 1998 | |
| Lovelee Dae (Part Two) (2x12") | Playhouse | PLAY017 | Germany | 1999 | |
| Lovelee Dae (Part Two) (2x12") | Playhouse | PLAYHOUSE-17 | Germany | 1999 | |
| Lovelee Dae (12", Single, RE) | Playhouse Back Up | 1503 | Germany | 2005 | |
| Lovelee Dae (Om Remixes) (12") | Om Records | OM 283 SV | US | 2007 | |
| Lovelee Dae (The Exquisite Mixes) (File, MP3) | Vivid Trax | VVTD004 | UK | 2008 | |
| Lovelee Dae (Part Two) (12") | Urban Tracks | none | Germany | ||
| Lovelee Dae PartOne (12") | Playhouse | PLAY015 | Germany |
referencing Lovelee Dae (Part Two), 2x12", PLAY017
referencing Lovelee Dae, 12", CMC090
On top of that is the fact that I cannot even locate the actual version that I play because the label on my record just has the numbers 24 and 25 printed in white on a black label. I do know it is a Playhouse Records 2x12" and I do believe it is the mix featured on this release, however I cannot be 100% sure? The Eight Miles High remix that I am particular too is a very straight forward track which has a haunting monotone string pad placed over a very workable house groove. Quite minimal in approach. Does not do too much more then that. A beat, A pad, A vocal that loops in the breakdown. Quite a hypnotic gem when applied at the right moment.