| 1 | Zeigefinger | 20:28 | X | |
|
Choir -
Heide Kröger
,
Helena Ax
,
Hilde Weyler
,
Karin Paula Müller
,
Karin Stein
,
Maria Humger-Klein
,
Renate Golzarandi
,
Traudl Jarchow
,
Vera Voigt
Trombone [Bass Trombone] - Peter Hoffmann (2) Tuba - Daiki Takahashi , Joseph Barth | ||||
| 2 | Daumen | 8:06 | X | |
| 3 | Ringfinger | 10:22 | X | |
| 4 | Mittelfinger | 12:10 | X | |
|
Trombone [Bass Trombone] -
Peter Hoffmann (2)
Tuba - Daiki Takahashi , Joseph Barth | ||||
| 5 | Kleiner Finger | 7:46 | X | |
Although still condensing dense fumes of smoke landscapes a la Dashiel Hammett with a Badalamenti influenced Jazz Noir is not as rhytmically influenced as his predecessor and less dark too.
Here comes a jazz with post rock usage (the sound and cadence reminds me of Bark Psychosis) with the metronome counting at the most slow speed possible but not so by stepping into "funeral" or "doom" influenced music as they did previously. This is probably not that good since the band may be good and knows how to play and when to hit with the compositions, but there is nothing really innovative or original here anymore.
Previous album was a dismembering from the cadence of Doom metal and a heavy use of a variant of jazz with atmospheric elemments that could be easily traced to Badalamenti in his more solid works,the atmospheric elemments are still preserved here but the morbid side was softened a lot (even the titles follow this line). Never forget the phormula that made you famous and don't try to be what you are not.
This is an average jazz-post rock influenced band. Which simply makes it severely overrated. Fumes out.