| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Tago Mago (2xLP, Album, Gat) | United Artists Records | UAS 29 211/12 X | Germany | 1971 | |
| Tago Mago (2xLP) | United Artists Records, United Artists Records | UAD 60009, UAD 60010 | UK | 1971 | |
| Tago Mago (2xLP, Album) | United Artists Records | UAS 29 211/12 X | France | 1971 | |
| Tago Mago (CD, Album) | Spoon Records | SPOON CD 006/ 7 | Germany | 1989 | |
| Tago Mago (CD, Album, RE) | Mute, Mute Corporation, Spoon Records, Spoon Records | 9054-2, spoon CD 006/7, Spoon CD 006/7 | US | 1998 | |
| Tago Mago (2xLP, Album, RE, Ltd) | Spoon Records | SPOON 006/7 | Germany | 2000 | |
| Tago-Mago (CD) | SomeWax Recordings | SW306-2 | Russia | 2003 | |
| Tago Mago (SACD) | Mute, Mute Corporation | MUTE 9273-2 | US | 2004 | |
| Tago Mago (SACD, Album, RE, RM, Sup) | Spoon Records | SPOONSA6/7 | UK & Europe | 2004 | |
| Tago Mago (CD, Album, RE, RM) | P-Vine Records | PCD-22203 | Japan | 2005 | |
| Tago Mago (2xLP, Album, RE) | United Artists Records | UAS 29 211 | US | 2007 | |
| Tago Mago (CD, Album, RM) | Mute, Mute Corporation, Spoon Records | 9377-2 | US | 2007 | |
| Tago Mago (CD, Album, RM) | Spoon Records | CDSPOON 6/7 | Europe | 2007 | |
| Tago Mago (2xLP, Album, RE) | United Artists Records | UAS 29 211 X | US | ||
| Tago Mago (2xLP, RE, Gat) | Spoon Records | SPOON 006/7 | Germany |
referencing Tago Mago, CD, Album, SPOON CD 006/ 7
referencing Tago Mago, CD, Album, SPOON CD 006/ 7
Tago Mago is put simply, a freeform adventure into uncharted sonic territory, and put next to some of the more established LPs of the 70's it is essentially a behemoth of an album that leaves them in the shadows, both in textural diversity and the sheer range of emotional weight behind it. This is the point that the band, to all intense purposes, abandoned the anchor of rock and went onto become a truly unique band. If there's any vestiges of traditional forms left, they are extinguished by the time "Oh Yeah" and "Halleluhwah" come into view. The LP is a tricky affair, helped no doubt by the awkwardness of "Peking O" and "Aumgnm", but that shouldn't put potential listeners off.