| 1 | Progeny | 5:01 | ||
|
Bass -
Martin Eric Ain
Drums - Franco Sesa Guitar [Additional] - Erol Unala Lyrics By - Fischer* Music By - Sesa* , Ain* , Fischer* Vocals, Guitar - Tom Gabriel Fischer* | ||||
| 2 | Ground | 3:55 | ||
|
Bass -
Martin Eric Ain
Drums - Franco Sesa Guitar - Erol Unala Lyrics By - Fischer* Music By - Unala* , Fischer* Vocals, Guitar - Tom Gabriel Fischer* | ||||
| 3 | Dying God Coming Into Human Flesh | 5:39 | ||
|
Bass, Vocals -
Martin Eric Ain
Drums - Franco Sesa Guitar - Erol Unala Lyrics By - Ain* Music By - Unala* , Ain* , Fischer* Vocals, Guitar [Additional] - Tom Gabriel Fischer* | ||||
| 4 | Drown In Ashes | 4:23 | ||
|
Bass -
Martin Eric Ain
Drums - Franco Sesa Guitar - Erol Unala Music By, Lyrics By - Fischer* Vocals - Lisa Middlehauve Vocals, Guitar, Programmed By - Tom Gabriel Fischer* | ||||
| 5 | Os Abysmi Vel Daath | 6:41 | ||
|
Arranged By [Classical] -
Christoph Littmann
Bass, Vocals [Effects] - Martin Eric Ain Drums - Franco Sesa French Horn - Michael Sopunov Guitar - Erol Unala Lyrics By - Ain* , Fischer* Music By - Unala* , Sesa* , Ain* , Fischer* Vocals, Guitar [Additional] - Tom Gabriel Fischer* Voice [Operatic] - Cornelia Bruggman | ||||
| 6 | Obscured | 7:04 | ||
|
Bass -
Martin Eric Ain
Drums, Percussion - Franco Sesa Guitar - Erol Unala Lyrics By - Unala* , Ain* , Fischer* Music By - Unala* , Ain* , Fischer* Vocals - Simone Vollenweider Vocals, Guitar - Tom Gabriel Fischer* | ||||
| 7 | Domain Of Decay | 4:38 | ||
|
Bass -
Martin Eric Ain
Drums - Franco Sesa Guitar - Erol Unala Lyrics By - Fischer* Music By - Unala* , Ain* , Fischer* Vocals, Guitar - Tom Gabriel Fischer* | ||||
| 8 | Ain Elohim | 7:33 | ||
|
Bass -
Martin Eric Ain
Drums - Franco Sesa Guitar [Additional] - Erol Unala Lyrics By - Ain* Music By - Unala* , Sesa* , Ain* , Fischer* Vocals, Guitar - Tom Gabriel Fischer* | ||||
| Triptych | ||||
| 9 | Totengott | 4:27 | ||
|
Lyrics By -
Ain*
Music By - Fischer* Programmed By - Tom Gabriel Fischer* Vocals - Martin Eric Ain | ||||
| 10 | Synagoga Satanae | 14:24 | ||
|
Alto Vocals -
Sibylle Hauf
,
Viola Hauf
Baritone Vocals - Keno Weber Bass - Martin Eric Ain Bass Vocals - Sebastian Naglatzki Conductor, Arranged By [Choir] - Christoph Littmann Drums, Percussion - Franco Sesa Guitar [Additional] - Erol Unala Lyrics By - Ain* Music By - Sesa* , Ain* , Fischer* Soprano Vocals - Carla Grundmeier Tenor Vocals - Florian Lohman Vocals - Satyr* Vocals [Death Grunt] - Peter Tägtgren Vocals, Guitar - Tom Gabriel Fischer* | ||||
| 11 | Winter (Requiem, Chapter Three: Finale) | 4:32 | ||
|
Arranged By [Classical], Conductor -
Christoph Littmann
Bass - Jong Sung Choi Cello - Dmitry Struchkov , Volker Hormann , Ya-Henn Yoon Music By - Fischer* Viola - Katarzyna Bugala , Sandra Rehle Violin - Frauke Pohlman , Laurent Plettner , May-Britt Altendorf | ||||
"Progeny" contains more obvious, (typical blackened thrash metal) CF qualities we've heard throughout the years, and as we change gears, and carry onto "Ground", we're introduced into an album riddled with degree-less atmosphere, and motionless characteristics which follow suit. There's a delicacy, and sheer brute within "A Dying God Coming Into Human Flesh". It's characterised by the teeth (and fist)-clenching grind its choruses appear to have, along with the contrast of the absolve, the tracks beginnings and bridges appear to have, which are tense and still. The doom idler follows throughout the next phase of the album. One of my favourites is "Os Absymi Vel Daath", whereby its movement is simply drone-ful and indulgent, carrying heaps of brutality, and simplicity, I'm often retained contemplating "Why haven't I thought of this already!” We also get a dose of that industrial ambience within "Os Absymi Vel Daath" and, "Obscured". Furthermore Monotheist is intricately complex, accompanied with wildly towering expectations; which it arises too. Finally departing with "Synagoga Satanae", we finish with the lush fourteen minute harmony and feedback tracking combined with the slow rot doom riffing toward the last third of the track. It feels brilliantly dark, sombre, plaintive, and brutal.
Another definitive design by Celtic Frost, which complemented there comeback justifiably.