| June 12, 1933 | ||||
| 1 | Four Transcriptions From "Emerson," No. 1 (beg.) | 3:58 | ||
| 2 | Four Transcriptions From "Emerson," No. 1 (end) | 1:28 | ||
| 3 | Four Transcriptions From "Emerson," No. 3 | 2:33 | ||
| 4 | Improvisation On A Passage In Study No. 23, Four Transcriptions From "Emerson," No. 2, And Emerson Overture's Cadenza No. 4 (with false start) | 0:44 | ||
| Mid 1930s | ||||
| 5 | Four Transcriptions From "Emerson," No. 1 (beg.) | 2:14 | ||
| 6 | Four Transcriptions From "Emerson," No. 1 (end) | 2:24 | ||
| 7 | Study No. 11 (abandoned) | 0:50 | ||
| 8 | Study No. 11 | 1:34 | ||
| 9 | Study No. 11 | 1:33 | ||
| 10 | Patch For Study No. 23 | 0:40 | ||
| 11 | Four Transcriptions From "Emerson," No. 1 (beg.) | 2:57 | ||
| 12 | Four Transcriptions From "Emerson," No. 1 (end) | 2:53 | ||
| 13 | Four Transcriptions From "Emerson," No. 3 | 3:33 | ||
| 14 | Four Transcriptions From "Emerson," No. 3 | 3:40 | ||
| May 11, 1938 | ||||
| 15 | Four Transcriptions From "Emerson," No. 3 (beg.) | 1:53 | ||
| 16 | Four Transcriptions From "Emerson," No. 3 (end) | 0:47 | ||
| 17 | Study No. 11 | 1:02 | ||
| 18 | Study No. 9: The Anti-Abolitionist Riots | 2:04 | ||
| 19 | Study No. 2 With False Start | 1:31 | ||
| 20 | Study No. 2 (beg.) | 0:49 | ||
| 21 | Study No. 2 (end) | 1:15 | ||
| 22 | Study No. 23 (partial) | 1:00 | ||
| 23 | Four Transcriptions From "Emerson," No. 1 (abandoned) | 0:17 | ||
| 24 | Four Transcriptions From "Emerson," No. 1 (middle) | 1:04 | ||
| 25 | Study No. 23 (partial) | 1:10 | ||
| 26 | Three Improvisations, No. 1 | 0:50 | ||
| 27 | Sonata No. 2 For Piano: Concord, Mass., "Hawthorne" (excerpt) | 0:17 | ||
| 28 | Symphony No. 1/Rejected Mvt. 2 (Largo) | 1:58 | ||
| 29 | Unidentified (Improvisation On The "Sunrise" Cadenza"?) | 0:21 | ||
| 30 | Study No. 20 (partial) | 0:32 | ||
| 31 | Three Improvisations, No. 3 | 0:42 | ||
| April 24, 1943 | ||||
| 32 | Sonata No. 2 For Piano: Concord, Mass., "Emerson" (partial) | 2:05 | ||
| 33 | Sonata No. 2 For Piano: Concord, Mass., "Emerson" (partial) | 1:23 | ||
| 34 | Sonata No. 2 For Piano: Concord, Mass., "Emerson" (partial) | 4:02 | ||
| 35 | Study No. 2 + Study No. 23 (mixed) | 2:24 | ||
| 36 | Four Transcriptions From "Emerson," No. 3 (abandoned) | 0:57 | ||
| 37 | Study No. 9: The Anti-Abolitionist Riots | 2:15 | ||
| 38 | They Are There!, First Take (abandoned) | 1:59 | ||
| 39 | They Are There!, Second Take | 3:30 | ||
| 40 | They Are There!, Third Take | 2:44 | ||
| 41 | March No. 6 For Piano, With "Here's To Good Old Yale" | 2:09 | ||
| 42 | Sonata No. 2 For Piano: Concord, Mass., "The Alcotts" (partial) | 5:02 | ||
The complete recordings of Charles Ives at the piano :
June 12, 1933, Columbia Graphophone Co., London
Mod-1930's ("Speak-O-Phone" session, probably New York City)
May 11, 1938, Melotone Recording Co., New York City
April 24, 1943, Mary Howard Studio, New York City
CD edited and mastered at Sony Music Studios, New York City, 1999.
Produced in association with The Charles Ives Society from private recordings in the Charles E. Ives Collection, Yale Music Library.