| A | Christiane F. – |
Wunderbar
Music By – Bob Hoffnar, Celeste Ries, David Javelosa, Todd Rosa |
||
| B | Christiana* – |
Health Dub
Music By – Alexander Hacke, Christiane Felscherinow*, F.M. Strauss* |
Wunderbar / Heimweh: Published by Soundchaser Music (BMI)
Suechtig / Spinnen / Health Dub: Published by Freibank
Distribution via Neuton
Playhouse 71 / LC10939 Made in E.E.C.
Barcode: 6 61956 33711 6
<u>Run-outs:</u>
Play 71 A | 45 rpm | SNB
Play 71 B | 45 rpm | SNB
1982: Christiane Felscherinow, better known as Christiane F., has just published her book »Wir Kinder vom Bahnhof Zoo«. During a stay in the US, she records vocals for a record, but has no influence on the musical and artistic result. She only hears the outcome (A. »Wunderbar«) after its release and is horrified. She has the record stopped in order to re-record the song under the name of Christiana with musicians from Berlin's New Wave scene (B. »Süchtig (Health Dub)«).
At the Robert Johnson Club in Offenbach, the original US-version turned into a significant hit, so one soon decided to feature both versions on one record.
Perfect time documents that have not lost any of their fascination since their first release and should be preserved for future generations.
»Ich Klau Dein Auto, Und Fahr Zur Disco - Ich Bin So Süchtig, Dein Lenkrand Zu Führ'n...«
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Wunderbar / Health Dub (12", Pro) | Playhouse, Playhouse | Playhouse 71, Play 71 | Germany | 2003 |
Here is a victim, a drug addict for life - like a naive siren luring us to come along but are we that brave to reach the same end?
Whether this is a considerable self-parody, or attempt at starting a pop-career (as a means of escape from constant heroin relapse), both versions - the Tom Tom Club-esque 'Wunderbar' and its sinister dub variant (delivered by members of Einstürzende Neubauten) do work perfectly in their experimental share of cheesy synths (also quite reminiscent of the early 80s' Prince), metallic percussive drum, irresistible bass lines and menacing claustrophobic reverb drone.
In that respect, it is a masterpiece.