| Summer | ||||
| 1 | Clint Mansell - | Summer Overture | 2:36 | |
| 2 | Clint Mansell - | Party | 0:28 | |
| 3 | Clint Mansell - | Coney Island Dreaming | 1:04 | |
| 4 | Clint Mansell - | Party | 0:36 | |
| 5 | Clint Mansell - | Chocolate Charms | 0:25 | |
| 6 | Clint Mansell - | Ghosts Of Things To Come | 1:33 | |
| 7 | Clint Mansell - | Dreams | 0:44 | |
| 8 | Clint Mansell - | Tense | 0:37 | |
| 9 | Clint Mansell - | Dr. Pill | 0:42 | |
| 10 | Clint Mansell - | High On Life | 0:11 | |
| 11 | Clint Mansell - | Ghosts | 1:21 | |
| 12 | Clint Mansell - | Crimin' & Dealin' | 1:44 | |
| 13 | Clint Mansell - | Hope Overture | 2:31 | |
| 14 | Clint Mansell - | Tense | 0:28 | |
| 15 | Moonrats, The - | Bialy & Lox Conga | 0:45 | |
|
Bass, Vocals, Producer -
Brian Emrich
Engineer, Programmed By, Mixed By - James Murphy Keyboards, Vocals - Theodore Birkey Percussion, Vocals - Hector Torres Saxophone, Vocals - Marcel Reginatto Songwriter - Brian Emrich , Theodore Birkey Trumpet, Vocals - Oscar Oñoz Vocals - Darren Aronofsky | ||||
| Fall | ||||
| 16 | Clint Mansell - | Cleaning Apartment | 1:25 | |
| 17 | Clint Mansell - | Ghosts-Falling | 1:11 | |
| 18 | Clint Mansell - | Dreams | 1:02 | |
| 19 | Clint Mansell - | Arnold | 2:35 | |
| 20 | Clint Mansell - | Marion Barfs | 2:22 | |
| 21 | Clint Mansell - | Supermarket Sweep | 2:14 | |
| 22 | Clint Mansell - | Dreams | 0:32 | |
| 23 | Clint Mansell - | Sara Goldfarb Has Left The Building | 1:17 | |
| 24 | Moonrats, The - | Bugs Got A Devilish Grin Conga | 0:57 | |
|
Bass, Vocals, Producer -
Brian Emrich
Engineer, Programmed By, Mixed By - James Murphy Keyboards, Vocals - Theodore Birkey Percussion, Vocals - Hector Torres Saxophone, Vocals - Marcel Reginatto Songwriter - Brian Emrich , Theodore Birkey Trumpet, Vocals - Oscar Oñoz Vocals - Darren Aronofsky | ||||
| Winter | ||||
| 25 | Clint Mansell - | Winter Overture | 0:19 | |
| 26 | Clint Mansell - | Southern Hospitality | 1:23 | |
| 27 | Clint Mansell - | Fear | 2:26 | |
| 28 | Clint Mansell - | Full Tense | 1:04 | |
| 29 | Clint Mansell - | The Beginning Of The End | 4:28 | |
| 30 | Clint Mansell - | Ghosts Of A Future Lost | 1:50 | |
| 31 | Clint Mansell - | Meltdown | 3:55 | |
| 32 | Clint Mansell - | Lux Aeterna | 3:54 | |
| 33 | Clint Mansell - | Coney Island Low | 2:13 | |
Mansell and the Kronos Quartet definitely did a great job on melding strings and electronic elements together in different genres of music expressing a full range of human feeling. For the main theme which expresses tragedy, you've got strings in a very traditional approach for a soundtrack. For the tense moments in the film, Mansell uses his electronic equipment effectively in nervous, twitchy IDM that works well as an almost transparent background noise for the film, yet works well standing alone, to complement the other tracks. In the last "act," the Kronos Quartet really shows us some of the most tense and dissonant music ever made for a movie. Dissonant, chaotic, shrill, grating...all of these words can be used to describe the tone of the four string instruments. In the movie, these tracks were used in order to augment and mark the most horrible and sickening parts of the film, and to what effect! These are the tracks that have made an impact on the moviegoers, and these are the tracks that give way to the tragic last two tracks on the CD, which go back to the original themes, completing the work in a catharsis.
This CD is the embodiment of tragedy. You have a beginning, a middle, and a catharsis that releases all the tension that has been built up in the course of the music. Does it sound sad? It sounds tragic. Is it good? It's fucking terrific. It may not be suitable for everyday listening, but you have to listen through it once, and appreciate the work that went into this.