Paul Lemos' liner notes describe this as a primal scream of sorts and despite it's reputation for being a totally uncompromising racket there does appear to be an underlying structure to it all - wether this was achieved on purpose or by accident I cannot say, though I'm tempted to go with the latter. I've actually given this a full listen and it's actually not a bad record, despite the band's own admission that this is a slab of hellish noise. Believe it or not, some segments are actually pleasant and could even be regarded as - dare I say it - ambient. (27:00 - 31:11, 46:10 - 48:19)