| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Point (CD, Album) | Trattoria | Menu.241 | Japan | 2001 | |
| Point (CD, Album, Promo) | Matador | OLE 543-2P | US | 2001 | |
| Point (CD) | Suave Records | SU0011 | Mexico | 2002 | |
| Point (CD, Album) | Matador | OLE 332-2 | US | 2002 | |
| Point (CD, Album) | Spunk | URA058 | Australia | 2002 | |
| Point (CD, Album) | Matador | OLE 332-2 | Europe | 2002 | |
| Point (CD, Album, Promo) | Matador | OLE 332-2V | US | 2002 | |
| Point (LP) | Matador | OLE 332-1 | US | 2002 |
referencing Point, CD, Album, OLE 332-2
referencing Point, CD, Album, OLE 332-2
"Point" is a successful juxtaposition of musical elements that no one would ever think of juxtaposing (due to the seeming disparity and incongruity of those elements). These elements include musique concrete, gentle r&b-ish backgrounds, speed metal, rather danceable grooves, and vocal harmonies sustained far beyond the capacity of the human lung. The talented Cornelius somehow manages to blend all these elements (and more) into a surprisingly palatable aural stew - a remarkable feat. In some cases, such as the title track, the result is something so fresh and architecturally sound that it could be considered a work of art. Other times, the effect is one of calming cybernetic beauty ("Tone Twilight Zone", "Brazil", "Nowhere"), or, in the case of the John Zorn-esqe "I Hate Hate", attention span reduction and head shaking.
When approached as belonging to any specific musical genre, "Point" can seem annoying, cheesy, and/or pretentious, like the trying-to-sound-as-radio-friendly-as-possible, trying-way-too-hard demo of a band far too eccentric for the mainstream. But as is becoming increasingly more common in the world of music as time goes on, Cornelius is a genre unto himself, a hybrid of too many pre-existing genres to possibly concatenate (with hyphens) into a single pronounceable word.