Original pressing contains black/green font on the label
Repressings contain various font colour combinations such as black/yellow
In Effect samples: Raze - Let The Music Move U, Don't Need Your Love samples: Jo Ann Jones
The Slammin Vinyl boys really knew how to push their limited hardware to the limit. This release, strung together on an Amiga computer, sounds lo-fi as hell but is ironically a sonic marvel. There's as much attention to detail as some of the best beard stroking electronica of the present day, with the tracks mutating in both arrangement and sample selection every few bars.
Both tracks were unbelievable fast and manic for early 1993, and despite obvious samples (for example Spectral - Touch Somebody, Xpansions - Elevation and Bizarre Inc - Plutonic) they don't sound like blatant rip-offs.
'In Effect' is the most played of the two, with it's awesome thumping breakbeat intro which builds and builds into distinctive sections mutating from piano to hoovers, 'Bad Boy' ragga samples and that euphoric Bizarre Inc breakdown.
Whilst the production quality and chipmonked vocals date both tracks, there's a level of energy that few artists have managed to beat, despite access to superior studio equipment.
In Effect is one of the Hardcore anthems from 1992. Played in many many sets by many different djs it represents Hardcore from that era and can easily be mixed into Breakbeat Happy Hardcore tunes made 2 years later. Don't Need Your Love is even more happy and is a great tune too.
Both tracks were unbelievable fast and manic for early 1993, and despite obvious samples (for example Spectral - Touch Somebody, Xpansions - Elevation and Bizarre Inc - Plutonic) they don't sound like blatant rip-offs.
'In Effect' is the most played of the two, with it's awesome thumping breakbeat intro which builds and builds into distinctive sections mutating from piano to hoovers, 'Bad Boy' ragga samples and that euphoric Bizarre Inc breakdown.
Whilst the production quality and chipmonked vocals date both tracks, there's a level of energy that few artists have managed to beat, despite access to superior studio equipment.