| 1 | Intro D.W.F.S. | 1:49 | ||
| 2 | Afterlife | 6:40 | ||
| 3 | Analog Heaven - 303 State | 3:49 | ||
| 4 | Heaven | 8:08 | ||
| 5 | Initial Gain | 5:25 | ||
| 6 | Mojos Message | 0:30 | ||
| 7 | Second Sight | 3:07 | ||
| 8 | One Way Trip | 0:31 | ||
| Vocals - Howard "Mojo" Pince | ||||
| 9 | Rub You Out | 5:19 | ||
| Vocals - Howard "Mojo" Pince | ||||
| 10 | He's The Chuck Chillout | 6:24 | ||
| 11 | Raised Consciousness | 3:45 | ||
| 12 | Analog Shout Out | 1:04 | ||
| 13 | So Many Colors | 7:27 | ||
| 14 | Padre Nuestro | 5:23 | ||
| Vocals - Sandy (5) | ||||
| 15 | Alex Shout Out | 0:26 | ||
| 16 | Clouds | 7:44 | ||
of the artist, only on the inlaycard is written the name of the producer, here: Freddy
Schmid, but no DWFS. Only the intro track is titled 'Intro DWFS' - it's the beginning -
track of an journey into finest high quality analogue techno-trance and 2-3 harder tracks.
Fred is a musician who knows how to build the sounds for a deep heart adventure
trip. Wonderful tweeting 303 with strings typical for top undergound soul-techno tracks
of this era. Paired with bold pounding sometimes resounding bassdrums and another
tb 303-line we listen to this what Fred's studio and equipment stand for (check the
Freddy Fresh pics on Discogs). Raver and deep techno-lover all over the world speak
this language in which Freddy make this music - this is one of the cds I have absolutely
no regrets.
The cd starts with 'Afterlife', it's the second track after a short intro, a murmuring-beat hihat
jet maelstrom. It follows 'Analog Heaven', also a hi-speed hard-acid track DJ Edge would
have fun with it, both more harder 303-tracks are the strong intro part of the cd which tie in
with the last tracks of the cd which are harder too. Inbetween you find sometimes groovy but
hypnotic rythms again with dreamy strings underlined by piano sometimes. Track 10 is a
dark 303 stomper, a voice says: Would you be mine again? - and the bassdrum gets
in parts double-speed to make sure to get this answer...
one of my favorites, this track, no doubt.
The next track 11 is a break, a wonderful trance chill to give you the chance to breathe deeply.
Nearly every track is typical for the unique Freddy Fresh sound - if you need the 303 you get
it and if you miss power then a monster bass sequence comes up from the underworld...
If you like more hardcore or harder stuff and you want to chill a bit in a hardcore way I
would say this gives the feeling of hardcored deep-trance. Nearly all of the tracks could
be taken from Fresh's releases on Experimental Records in the first decade of the 90s:
One of the reasons that this cd has the same quality like the better productions
of Schmid is that it comes out of that glory era of the beginning of the 90's too - it's a fact that
a lot of artist lost their quality in making music and couldn't make underground hits like they
did in the later years.
Not so Freddy Fresh with this outstanding rare release.