| A1 | Golden Rendevous | 7:25 | ||
| A2 | Sonntagsspaziergang | 5:04 | ||
| A3 | Garden's End | 3:00 | ||
| Electric Guitar - Marty Burdette* | ||||
| A4 | Wind Mills | 5:30 | ||
| A5 | Café Sequence | 2:05 | ||
| B1 | Café Exit (incl. March Of The Flanged Angels) | 5:40 | ||
| B2 | White Cloud | 4:15 | ||
| B3 | Solar Mirrors | 3:76 | ||
| B4 | Jet Sets (Atomic Fallouts, Flash To Ash) | 5:00 | ||
| B5 | Forest Floor (Part 1: Atomkraft? Nein, Danke, Part 2: Aras) | 7:20 | ||
In reality the heavily overdubbed, multitracked "wall of sound" from "French Skyline" isn't gone. It's just been limited to a few tracks. What is striking about "Atomkraft? Nein, Danke" is that Wuest & company have traded a coherent electronic sound for a wide variety of styles to paint sound portraits of the different scenes and moods in their environmental message. The second track "Sonntagsspaziergang" (German for "Sunday Stroll") and "Wind Mills" are upbeat, melodic, mainly electronic pieces. "Gardens End" and "White Cloud" are gentle and melodic but have the denser sound and feeling that is more like Earthstar's previous work. "Cafe Sequence", "Solar Panels", "Jet Sets", and "Forest Floor" are dense, multitracked, electronic pieces. "Cafe Exit" is probably the most distinct recording of a Birotron choir ever made.
Despite this variety "Atomkraft? Nein, Danke" comes together as a cohesive piece. Overall the style is more laid back than any other Earthstar album. It's Earthstar's most complex work and it's the one that stands the test of time best. To me it's almost criminal that this album hasn't been reissued on CD.
-Caitlyn Martin