"Edgey’s sound is simply described as a mix of many electronic genres that can be perceived as dark in style, including power noise,, hardcore, industrial and noise to the lighter sounds of IDM and ambient. Misfire specifically would lure a newcomer to Edgey’s style into a false sense of security in that the album opener and one of the best highlights of the record, Before the Storm, is a downtempo cinematic view of dark electronics that takes on a night-time urban aesthetic much like similar moments in music from Dismantled or Impurfekt or even the orchestral moments of Wreath of Barbs-era :Wumpscut:. Chaosbane, another highlight track features a light ambiance that is paired with a minimal beat that quickly descends into an all-out rhythmic noise bombardment. Left Wanting opens with a hardcore techno-styled bass kick heavy beat reminiscent of Lenny Dee himself while it ends on a playful, somewhat somber note that is more akin to what the title itself implies. Perhaps the most interesting thing about Edgey’s style is that it almost acts as a compilation of various electronic genres that are related, but that no one probably expected to flow so smoothly when forced together. While seemingly chaotic, it is simply another new frontier forged by one solo artist, and the fact that he can sculpt tracks together from such varying styles and make them fit harmoniously together serves as a testament to his abilities and pure will as an electronic musician."
with this output edgey has reached a high level of exclusive mixture somewhere in between Industrial, HipHop, Breakcore and Rythm Noise. What Hellfish means for Hardcore Techno, Edgey means for Rythmic Noise! This album is closer related to the annihilation debut work than to the last one. The hammering beats are more pushing forward than the floating beats on the flawed work.
http://heathenharvest.org/2012/02/21/edgey-misfire/