What an amazing release. At first, when my friend gave it to me on vinyl I was not under such impression, still I was enjoying it in some indistinct way, and this was one of the few records I had in that time.
Later on, after I have returned him his records, and after some time passed, I started to buy more and more(not too many) records and memory of this one popped out in my mind. I prelistened it online just for a few minutes and immediately ordered it on vinyl.
I am not type of person who goes into description of details, because when you touch essence for yourself details are overwhelming.
Phillip managed to experience enough of life to meet with the essence, this artwork is 'details'.
Thank you Phillip. Hope to hear again from you, but more importantly keep up the pace with Great spirit and stay genuine.

(5/5)

Efdemin's self-titled debut album on Dial may not stand out as much as previous albums on the label by Lawrence or Pantha Du Prince, but it is still a fine listen. Efdemin's sound is for the most part closest to Sten; quite dark and showing some debt to the constructs of 90s IDM, even a flash of progressive. However, there is a depth of emotion here that Sten doesn't really get to (granted that it is reached on his releases as Lawrence), which is in full effect on "Lohn & Brot", "Salix Alba" and "Bergwein". This release was always doomed to get overlooked, but it's a really good place to start for the newcomer to Dial without going straight to its classic releases.

I have given this release several opportunities to inspire or arouse some emotion from me. So far I have been disappointed. What a nastily boring record. Is this the new hip minimal sound or something? Maybe it is just me but I tried really hard to like this release. it just lacks inspiration.
Ironically, this type of minimal techno seems to be gaining popularity so maybe as a reviewer or music critic I am merely out of touch.
For what it is worth, I thought the edited version of acid bells on Agoria's At the Controls was amazing.