| Ophis Puthôn | 5:59 | |
| A World In Their Screams | 6:21 | |
| Ondes De Sang | 2:55 | |
| Le Dévoreur | 5:54 | |
| Le Fleuve Infini Des Morts | 4:22 | |
| Je Rassemblais Tes Membres | 7:46 | |
| Stasis | 5:07 | |
| Borée | 4:41 | |
| La Carrière D'Ombre | 4:43 | |
| J'Ai Touché Aux Confins De La Mort | 4:29 | |
| Urserpens | 5:25 |
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| A World In Their Screams (CD, Album, Dig) | Prophecy Productions | PRO 087 | Germany | 2007 | |
| A World In Their Screams (CD, Album) | Holy Records | HOLY 114 CD | France | 2007 | |
| A World In Their Screams (CD, Album, Dig) | Orphika | orph04 | France | 2007 |
referencing A World In Their Screams, CD, Album, Dig, PRO 087
Although using classical elements to elaborate the whole composition there is an antagonism presented as the soundtrack is completely disharmonic, unorthodox, altered and disjointed somehow.
Although clearly neoclassical, this work is more close to dadaism than modern classical compositors.
Full of twists and turns that makes impossible for the listener to actually sight any landscape or coherent stance. It brings a whole panorama of disbalance and deconstruction more likely presented as a resemblance of a maze made as universe for the listener who in turn gets caught by the desperation and nightmarish apparitions it brings.
Lot's of non-orthodox rhythmic resources were used which reminds some of the old school of industrial, a pentiful of metals, clinging and echoing while corroded screams serve as botton line.
Interesting. Best Elend effort so far, but not quite easy to follow for the more radical harmonistic crew.