Eric B. & Rakim ‎– Paid In Full (Seven Minutes Of Madness - The Coldcut Remix)

Label:
4th & Broadway – 12 BRW 78
Format:
Vinyl, 12", 45 RPM
Country:
Released:
Genre:
Style:
 

Tracklist Hide Credits

A Paid In Full (Seven Minutes Of Madness - The Coldcut Remix)
Engineer [Remix] – Raine Shine Remix – Coldcut Scratches – DJ Cell, Matt Black
B1 Paid In Full (Album Mix)
B2 Eric B. Is On The Cut

Credits

Barcode and Other Identifiers

  • Barcode (Text): 5 014474 810787
  • Matrix / Runout (A side runout): 12 BRW 78 A//1∇420 EX 11 2 1
  • Matrix / Runout (B side runout): 12 BRW 78 B//1∇420 EX 11 1 1
  • Other (A side runout etching): Townhouse

Other Versions (Showing 5 of 16) View All

Title, Format Label Cat# Country Year
Paid In Full (Derek B.'s Urban Respray) (12") 4th & Broadway 12 BRX 78 UK 1987
Paid In Full (7") Island Records, 4th & Broadway K 520, BRW 78 Australia & New Zealand 1987
Paid In Full (Seven Minutes Of Madness - The Coldcut Remix) (12", RE) Lexington MR-062 Japan  
Paid In Full (Acetate, 12", S/Sided) 4th & Broadway none UK 1987
Paid In Full - The Coldcut Remix (12") Island Records 12 BRWX 78 Italy 1987
▸ show all 3 reviews

Reviews & Discussion

Rated 5/5
Review by johnnysizzle Apr 23, 2003
djpasq, eric b and rakim don't like the rmx cuz we all would rather here it's quirky samples and arrangment, made possible only by virtue of Coldcut's genius and love for rising above "street cred"... nuff said...
Rated 5/5
Review by johnnysizzle Apr 23, 2003
Proof that genius equals longevity... Coldcut was the standard back in the day for pure, uncut fuggitup-ness.... They still are the vanguard of good electronix --johnnysizzle
Rated 4/5
Review by DJPASQUEZ Apr 13, 2002
Yes, that`s true push-man, and for all those who don`t know it already: Eric B. and Rakim do not like the Coldcut Remix version `cause in their minds it doesn´t have nuff street credibility... Make dis clear for yourselves ..Oldschool rap pioneers together with Ofra Haza (sic!) samples and stylish dancefloor samples....Same Procedure like with A.R.Kanes heavy guitar (de)constructions in M.A.R.R.S.´s "Pump up the volume"..But that´s the way dancefloor goes....

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