Eric Cordier - Osorezan

Eric Cordier - Osorezan

Label:
Catalog#:
0701
Format:
CD, Album, Gatefold
Country:
Malaysia
Released:
Sep 2007
Genre:
Non-Music
Style:
Field Recording

Tracklist

  Osorezan (19:53)
1   L'Air Dans L'Eau 5:48
2   L'Air Dans L'Air 4:33
3   L'Air Et L'Eau 9:31
  -
4   Transbordement 7:50
5   Dekishima 2:19
  Le Feu De Saint Clair (14:20)
6   Le Montage Du Feu 7:13
7   Les Tintenelles Et Le Feu 7:03
  -
8   Par Temps Sec 18:11

Credits

Other [Help With Texts & Translations] - Goh Lee Kwang , Siew Y'ng Yin
Other [Texts & Translations] - Eric Cordier
Photography - EC , Pierre Cordier , Satoko Fujimoto

Notes

Osorezan, (la montagne de la peur)
L’air dans l’eau
L’air dans l’air
L’air et l’eau

Recorded in Niseko, southwest of Hokaïdo and in Osorezan, northern of Honshu in August 2006. Gas emanation of volcano in Japan. The sound recordings were carried out in the depths and then re-organised. We listen to gas bubbling in water, gas mouths, gas that creates rhythms while escaping from under a dead leaf down in the clay, whistling…All panoramic movements, repetitions, effects of phasing have been carried out during the time of the recording, travelling at the mouth to gather the sound of sulphur gas as a sound pallette.

Transbordement
The outward and return journey of the ferry, crossing the Seine River between Heurteauville and Jumièges, downstream from Rouen (with the unloading of the cars). Recorded in Heurteauville on July 17, 1993.

Dekishima
Recorded on the 1st january 2005. It is the sound of the wires of a ’"bridge" at the sea side during a small storm (north Honshu, west coast, Aomori area). A "bridge" because it is a typical useless Japanese object built just for giving work to the construction industry. A surealistic place, a road to nowhere as if it were just to throw cars into the sea.

Le feu de Saint Clair
La Haye de Routot is one of the more interesting villages in Normandy, a meeting point of ethnology and tourism. It has preserved rare traditions; it has an extraordinary heritage, two yew trees of two thousand years old, both large and hollow with vaults carved within. And since a few decades, an eco-museum specialising in bread and wood-shoes was established there. I know this place well, 3km away from my native village. It is this place too where I had recorded part of my second CD (U.n.a.c.d.). The recording takes place on a festival day, it was an occasion of participation for my grandfather who set up once in a year the electrical supply brought by a mobile generator and my father who thereafter wired the sound system for the festival and especially for the mass in the small church. Every year on July 16, of my childhood, I assisted with the kindling then the combustion of the 14 meters high bonfire.

Le montage du feu
The brotherhood of charity, once in a year collaborates in the building for this bonfire, which will be set ablaze in the evening. They are a team of volunteers, who work on the building site (with good mood).

Les tintenelles et le feu
Standing in a central point of the cemetery, halfway between the church and the fire, precisely under one of these giant trees, the happenings according to my perspective. One hears successively the harmonium during the end of the mass resounding in the cemetery, then the drum of the garde champêtre (a kind of rural policeman), which opens the way to the procession among crowd. Then the tintenelles (bells) played by the master of the brotherhood of charity. The audience becomes quiet for a moment in respect for the religious authorities before returning to hubbub. The tintennelles disappear behind a low wall and then the fire begins. Field recordings caught in 1993.

Par temps sec
(In dry weather) The beginning of a summer afternoon in a small hamlet Le Mazel, Champy, Ardeches, south of France. Microphones set up behind a hedge, close to a small country path catching the activity at a precise moment. This recording did not undergo any editing or mixing.
▸ show all 1 review

Reviews & Discussion

Rated 5/5
Review by claypotplanet Feb 23, 2009
Brought this CD from a friend, which soon became one of the enjoyable field recording album I own.

Unlike some field recording albums which only a single track recording on particular location, this album content recording over 15 years, carefully selected without any fat.

Beside the variety of selections, what I like about this album is the 12 pages booklet with photos and texts written by the artist himself, about why such sound capture his attention.

5 out of 5!
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Shortcut Code: [r1019440]
Data Quality Rating: Correct

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4.83 / 5 (6 votes)
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