Farley "Jackmaster" Funk ‎– No Vocals Necessary

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Tracklist

I Need A Friend
The Acid Life
Acid Trip
All Acid Out
Should I Need You
My World
The Funk Is On
Bass Lives On

Versions

Title Label Cat# Country Year
No Vocals Necessary (LP) House Records (3) HU50 US 1988
No Vocals Necessary (LP) House Records (3) HU50 US 1988
No Vocals Necessary (Acetate, LP) Trax Records TX-5050 US  
No Vocals Necessary (LP) Trax Records TX5050 US  
▸ show all 4 reviews

Reviews & Discussion

ackneyladd Mar 21, 2012

referencing No Vocals Necessary, LP, HU50

The Deep House side of this tends to get overlooked, sure The Acid Life & I Need a Friend still sound the nutz but Farley's version of Wood Brass & Steel's Funkanova (aka The Funk Lives On)is very much as good as anything he put out around this time and is his version of Moment of My Life which from memory is Should I Need You. All round quality EP.
Rated 5/5
Review by Neuropolitique Apr 25, 2004

referencing No Vocals Necessary, LP, HU50

"I need a friend" - What a tune. Seminal Chicago-House that is perculiar to the ear and moving to the soul. I haven't heard it for about 10 years but can still hear it.
Flippin' Acid-house scene - don't 'alf do things to your long term memory.
Rated 5/5
Review by djarnie Mar 31, 2004

referencing No Vocals Necessary, LP, HU50

Jav, 'The Acid Life' is 'The' bomb of the LP, sure but, don't forget to mention 'I Need A Friend'. Amazing track. While listening to it, u can note it evolves from a deep-house vibe & melancholic feel to hardcore jackin' house & acid madness. It is also very brave to add violin samples which brings this particular vibe. That is why this track is very good i think.
Rated 5/5
Review by spork Feb 12, 2003

referencing No Vocals Necessary, LP, HU50

If you're new to the Chicago House sound, this record is a good place to start. The LP has two sides--one of which is devoted to acid house, and the other to deep house. I prefer the acid side, but that's probably just my personal preference. Farley always made great tracks, but I think these eight are some of his best, since they're pretty much free of the catchiness or mainstream-radio appeal of a lot of his productions.

Master Release

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