| Baby Wants To Ride | 8:32 | ||
| Your Love | 6:46 |
| Title | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Baby Wants To Ride / Your Love (12") | Trax Records | TX150 | US | 1987 | |
| Baby Wants To Ride / Your Love (12") | Trax Records | TX150 | US | 1987 | |
| Baby Wants To Ride / Your Love (12") | Trax Records | TX150 | US | 1987 | |
| Baby Wants To Ride / Your Love (12", W/Lbl) | Trax Records | TX150 | US | 1987 | |
| Your Love / Baby Wants To Ride (12") | Radical Records (5) | TRAXT 3 | UK | 1989 | |
| Your Love / Baby Wants To Ride (12") | Radical Records (5) | TRAXT 3 | UK | 1989 | |
| Your Love / Baby Wants To Ride (12") | Radical Records (5), Trax Records | TRAXT 3 | UK | 1989 | |
| Your Love / Baby Wants To Ride (12", Maxi) | Who's That Beat? | WHOS 5 | Belgium | 1989 | |
| Your Love / Baby Wants To Ride (7") | Radical Records (5), Trax Records | TRAXS 3 | UK | 1989 | |
| Baby Wants To Ride / Your Love (12", RE) | Trax Records | TX150 | US | 2000 | |
| Baby Wants To Ride / Your Love (12", TP, RE) | Trax Records | TX150 | US | 2000 | |
| Your Love / Baby Wants To Ride (12") | Simply Vinyl (S12) | S12DJ-009 | UK | 2001 |
referencing Your Love / Baby Wants To Ride, 12", TRAXT 3
referencing Baby Wants To Ride / Your Love, 12", RE, TX150
referencing Baby Wants To Ride / Your Love, 12", TX150
referencing Your Love / Baby Wants To Ride, 12", TRAXT 3
Disclaimer: Videos may not match exact release
I first heard "Your Love" whilst playing the infamous Grand Theft Auto: San Andreas. Hosted by an emotionally unstable German DJ by the name of Hans Oberlander, he referred to the performer of the track as "the Godfather of House Music, Herr Frankie Knuckles" before making it obvious that his recently-taken product was beginning to take effect. So, finally, I hear the legend with my own ears.
I thought the record was unusually simple in composition - compared to the overproduced material of today - but it seems the best concepts are the simple ones. Production-wise, the record is quite unique from its cousins of the time (c. 1989), Knuckles opting to use a somewhat more live, organic approach to the drums and using a less dense, more sparse bass line pattern. Kicking off with a vibrating synth, the track gradually builds and builds, bass lines climbing higher and higher, strings increasing in drama until the whole thing appropriately climaxes when the "I need your love, don't make me wait" vocals pulls everything together and leaves the listener with that famous "House is a feeling" after-effect.
So under rather bizarre circumstances, I was introduced to the legend which has, in turn, increased the depth of my own House feeling and opened up the door to discover other legendary producers.