Frieder Butzmann ‎– Wie Zeit Vergeht

Label:
Pan (3) – PAN 14
Format:
Vinyl, LP, 45 RPM, Limited Edition
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Tracklist Hide Credits

A ... Wie Zeit Vergeht ... 17:38
B1 Blauwellen
Voice [Additional] – Thomas Hauser
7:04
B2 In Einem Netzwerk
Effects [Digitech Vx400] – Frieder Butzmann Voice [Additional] – Friederike Feldmann
11:38

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Notes

Limited edition of 500 copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk screened pvc sleeve. Includes 11" x 11" one-sided b/w printed paper insert.

From insert: "Frieder Butzmann sings, writings and reinvents some of the '50s and '60s compositions by Karlheinz Stockhausen. All electronic sounds created with analog modular system Black Boxes at STEIM in Amsterdam in 1995 and were digitised in 2010 with NI Kontakt 4. Voices Filtered with Sherman Filterbank 2 and manipulated with Studer PR99 two track tape machine. Mixed in ProTools 8, with Waves TrueVerb reverbs. Mixed at Studio für Komische Musik Berlin."

Barcode and Other Identifiers

  • Matrix / Runout (Side A): PAN14 A 45rpm -21421-
  • Matrix / Runout (Side B): PAN14 B 45rpm -21421-
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Reviews & Discussion

Rated 5/5
serjio_from_tyumen Jan 04, 2012
Berlin's berserk Frieder Butzmann composes an uninterrupted stream of timbre changing and alternating sounds. Taking influence from aspects of Karlheinz Stockhausen's work, albeit certainly far from Serielle Komposition methods, using an entirely different array of equipment and caring less for technical finesse, a raw and sometimes absurd quality emerges. In spite of the dramatic character of the compositions, Butzmann works with the same joy and intuition of when he first heard them almost 40 years ago. Manipulating analogue sounds culled from old electronic recordings that he made at STEIM in Amsterdam back in 1995 (using the infamous 'Black Box' modular system), a dadaistic influence shines through in the semi-naive use of electronics, vocals and undefined sound sources - the basic idea is always more important than the perfect realization. The lyrics are excerpts of articles ... wie die Zeit vergeht ..., Telemusik and Kurzwellen by Stockhausen plus re-writings of lyrics used in the first section of the composer's concrete and electronic composition Hymnen.
www.pan-act.com

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