Hell - Totmacher Interpretationen

Now this is one of the more succesful remix efforts committed onto vinyl.

The original written by Hell for the movie Totmacher, gets in the hands of some of the profilic mid-90's techno artists within their own fields.

Baby Ford works with the signature Hell trademark that is the reversed cello sound which for instance was used on the Albino EP from 1995.

Regis brings out the so-called, beloved "Mono Trax" term to maximum effect, which honestly is brainless music, but I still do like this mix as a very effective tool. Like an acquaintance put it back then: "Imagine two amoebas colliding repeatedly 140 times per minute".

The absolutely highlight for me personally on the reoord, is the industrial based Suburban Knight mix. Operating with sharp and unpleasant sounds like the gut-wobbling bassline, distinct kickdrum accentuated on the midrange and rattling Detroit hi-hats.

Value and quality for money.