Holden & Thompson - Come To Me
Genre:
Electronic
Style:
Progressive House, Progressive Trance
Year:
2004
Tracklist
| Come To Me (Holden Amateur Guitar Mix) | 8:09 | |
| Come To Me (Last Version) | 10:44 | |
| Come To Me (Club Mix) | 10:33 | |
| Come To Me (Original Mix) | 3:15 | |
| Come To Me (Acapella) | 3:31 | |
| Nothing (Acapella) | 4:10 | |
| Nothing (Instrumental Riff) | 1:46 |
Versions
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Come To Me (2x12") | Loaded Records | LOAD 105 | UK | 2005 | |
| Come To Me (Club Mix) (12", Promo, S/Sided) | Not On Label | none | UK | 2004 | |
| Come To Me (CDr) | Not On Label | none | UK | 2005 | |
| Come To Me (CDr, Promo) | Loaded Records | LOAD 105 | UK | 2005 |
▸ show all 3 reviews
Reviews & Discussion
referencing Come To Me, 2x12", LOAD 105
referencing Come To Me (Club Mix), 12", Promo, S/Sided, none
Trademark Holden - bouncy baselines, ambient meloldies, deep atmosphere, and leftfield experimentalism all mixed in with dancefloor sensibility.
Overall, a very strong release, but I find it doesn't quite live up to his previous track with Julie Thompson - Nothing (93 Returning mix). Then again, what could?
4.5/5
Overall, a very strong release, but I find it doesn't quite live up to his previous track with Julie Thompson - Nothing (93 Returning mix). Then again, what could?
4.5/5
In my opinion, one of the best Holden's tracks.
For sure, this is the best version of Come To Me.
The track has only one simple, flat riff played by the (very) sick (and not so) amateur Holden's guitar.
Julie Thompson's voice here is distorted, delayed, it seems so far... And it sounds very good.
As usual, the sounds, the effects, the structure... Everything is a model for all the electronic producers.
After the main theme, James changes idea and drifts to a damned prog-tech-acid march which makes the dancefloors burn like hell.
Personally i love the mix of frightening sounds and Julie's laments so the second theme beats the first.
The only fault is the low speed! This version must be played always at +8% and it's just 126 bpm! Not a problem for home-listening, but a shame for club mixing...
By the way, if you love James Holden or if you simply appreciate upper-classy contemporary electronic music, you can't miss this mix.
This is a true gift that Holden made for his fans.
Essential.