In my opinion, one of the best Holden's tracks.
For sure, this is the best version of Come To Me.
The track has only one simple, flat riff played by the (very) sick (and not so) amateur Holden's guitar.
Julie Thompson's voice here is distorted, delayed, it seems so far... And it sounds very good.
As usual, the sounds, the effects, the structure... Everything is a model for all the electronic producers.
After the main theme, James changes idea and drifts to a damned prog-tech-acid march which makes the dancefloors burn like hell.
Personally i love the mix of frightening sounds and Julie's laments so the second theme beats the first.
The only fault is the low speed! This version must be played always at +8% and it's just 126 bpm! Not a problem for home-listening, but a shame for club mixing...
By the way, if you love James Holden or if you simply appreciate upper-classy contemporary electronic music, you can't miss this mix.
This is a true gift that Holden made for his fans.
In my opinion, one of the best Holden's tracks.
For sure, this is the best version of Come To Me.
The track has only one simple, flat riff played by the (very) sick (and not so) amateur Holden's guitar.
Julie Thompson's voice here is distorted, delayed, it seems so far... And it sounds very good.
As usual, the sounds, the effects, the structure... Everything is a model for all the electronic producers.
After the main theme, James changes idea and drifts to a damned prog-tech-acid march which makes the dancefloors burn like hell.
Personally i love the mix of frightening sounds and Julie's laments so the second theme beats the first.
The only fault is the low speed! This version must be played always at +8% and it's just 126 bpm! Not a problem for home-listening, but a shame for club mixing...
By the way, if you love James Holden or if you simply appreciate upper-classy contemporary electronic music, you can't miss this mix.
This is a true gift that Holden made for his fans.
Essential.