| 1 | Signals From 68 Dimensions | 11:21 | X | |
| 2 | Signals From 68 Dimensions | 7:01 | X | |
| 3 | The Conquest Of Being Separated | 10:54 | X | |
| 4 | The Conquest Of Being Separated | 4:49 | X | |
| 5 | The Crushing Of Earthly Foundations | 9:09 | X | |
| 6 | The Crushing Of Earthly Foundations | 5:46 | X | |
| 7 | The End Of The Beginning | 7:45 | X | |
| 8 | The End Of The Beginning | 6:01 | X |
The pulse like rhythms present in every song marks the very centre from where each song was constructed, sometimes these pulses seem almost organic, like star beats (magnetic pulses) or human breathing, to some more indefinable mechanical (biomechanical?) ones, in the background of the scene drone layers dance all the way, sometimes in ethereal form, sometimes in a more physical and direct reference, the juxtapositions and variation/transformation of each drone is what clearly makes Inade one of the masters of this technocracy of sound and “Aldebaran” as one of the best jewels among the genre.
Aside from the more direct musical aspect., there’s something mysterious and way beyond music behind this creation, as if a marvel or a strange unnatural epiphany were brought to you by the magical effect of the music itself.
Excellent. Always a classic.