James Blake ‎– James Blake

Label:
Atlas Recordings (2) – ATLAS02CD, A&M Records – ATLAS02CD
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

1 Unluck 3:00
2 The Wilhelm Scream
Lyrics By [Uncredited] – James Litherland
4:37
3 I Never Learnt To Share 4:52
4 Lindisfarne I 2:42
5 Lindisfarne II 3:02
6 Limit To Your Love 4:37
7 Give Me My Month 1:56
8 To Care (Like You) 3:53
9 Why Don't You Call Me 1:36
10 I Mind 3:31
11 Measurements 4:20

Companies etc

Credits

Notes

Release includes a booklet with lyrics and credits. Track 2 original title 'Where To Turn'.
Made in the EU.

Barcode and Other Identifiers

  • Barcode (Text): 6 02527 55470 9
  • Matrix / Runout: 06025 275 547-0 01 * 52669623
  • Label Code: LC00485
  • Rights Society: BIEM / SDRM
  • Other (SID Mould Code): IFPI 0132
  • Other (SID Mastering Code): IFPI LV26

Other Versions (Showing 5 of 6) View All

Title, Format Label Cat# Country Year
James Blake (2xLP, Album) Universal, Polydor B0015443 01 US 2011
James Blake (CD, Album) Atlas Recordings (2), A&M Records UICP-1126 Japan 2011
James Blake (2xLP, Album) Atlas Recordings (2) ATLAS02LP UK 2011
James Blake (11xFile, MP3, Album, 256) Polydor none Germany 2011
James Blake (CD, Album) Atlas Recordings (2), Universal Republic ATLAS02CD US 2011

Recommendations

▸ show all 1 review

Reviews & Discussion

Review by neocactar May 03, 2012
Wasn't really sure what to expect from this album. The name 'James Blake' seems to get passed around a lot, but I've never stopped to read-up on him. I've heard a few things by him in mixes, mainly fairly good (UK) dubstep.

Discogs has this album as 'Leftfield, Dubstep, Soul, Vocal'. After my first listen, it felt comparable to a minimal indie rock or spoken-word album - any Dubstep is minimized to an 'influence' role. The music is secondary to his voice in most tracks, playing an emphasis or punctuation role. Sometimes the music drops out altogether.

In the best tracks, this feels like he's surpassed the need for complicated sound structures beyond what his voice and some slight modulations produces, and created something that's hard to compare to.

But if that seems too pretencious (and about a third the time it is for me), you're limited to the tracks with a bit more music ('I Never Learnt To Share', 'I Mind', and the one most people are likely to have heard, 'Limit To Your Love'). But even those have to be surrounded by similar material - they don't transition well with anything other than minimal techno or ambient or quiet indie stuff, just because there's so little to transition with. So you'll want to listen to the album on it's own (easy to do on a CD, but something to remember for a digital purchase), or gather stuff of similar sound to accompany it.

All in all, it's worth hearing, and you might even quite like it: it's definitely unique. But you can just as easily be bored if his voice turns you off, since that's all there is. Borrow it if you can (don't youtube it unless you can get a playlist with all the tracks together), and see if it works for you.