| Spinners | ||
| Caught Short | ||
| Drifting Sounds Of Wakiki | ||
| Hate That Hate Made (Instrumental) | ||
| Calm Down (Instrumental) | ||
| Blue Flowers | ||
| Into The 90's | ||
| Bear Witness | ||
| Modular Mix (No Protection Mix) | ||
| Last Stop | ||
| Meiso (DJ Shadow Klub Mix) | ||
| Berry Meditation | ||
| Clubbed To Death 2 | ||
| Soul Food | ||
| Bug In The Bassbin (4 Hero Remix) | ||
| Hypnotizin | ||
| Bee | ||
| Oscillator | ||
| Piano Tune |
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| CREAM Live Vol.2 (CDr, Mixed, Promo) | Deconstruction | B035170-PR | UK | 1996 | |
| Cream Live Two (3xCD, Mixed, Comp) | Deconstruction | 74321 39125 2 | UK | 1996 |
referencing Cream Live Two, 3xCD, Mixed, Comp, 74321 39125 2
referencing CREAM Live Vol.2, CDr, Mixed, Promo, B035170-PR
referencing Cream Live Two, 3xCD, Mixed, Comp, 74321 39125 2
referencing Cream Live Two, 3xCD, Mixed, Comp, 74321 39125 2
The mix quickly flits from one track to the next in the trademark cut & paste style of The Psychonauts, resulting in a (mostly) high energy mix that maintains interest throughout, but (unlike with 'Time Machine') not so fast as to prevent the listener from getting into the individual songs. Whilst featuring great drums, the actual songs in the mix are not that amazing in themselves, but it's the WAY these guys use four turntables to bring the best out of them that is so impressive. The scratching is very rhythmical and diverse, never getting monotonous or overbearing in the way that a lot of scratch DJs can be, and perfectly complementing the songs over which they appear.
I may be wrong, but I think James Lavelle's contribution to the mix is restricted to tracks 16 - 19, boring songs that have here been overplayed and very averagely stuck together. It's certainly a change of style, both musically and DJing, that provides a disappointing end to an otherwise highly innovative mix of breaks, beats and scratching.