Jhelisa - A Primitive Guide To Being There

Label:
Catalog#:
IC 124-2, IC 125-5
Format:
CD, Album
DVD, PAL
Country:
Germany
Released:
07 Apr 2006
Genre:
Electronic, Funk / Soul, Jazz
Style:
Soul-Jazz, Acid Jazz, Soul

Tracklist

  A Primitive Guide To Being There
CD-1   Freedom's Land 5:05
    Bass [Acoustic] - James Singleton
  Bass [Electric] - Bassheavy*
  Drums - Terence Higgins
  Engineer - Stewart Cararas
  Keyboards - Kendrick Marshall
  Mixed By - Jai Hutcherson , Jhelisa
  Percussion - Michael Skinkus
  Written By [Words Of: Ain't Gonna Let Nobody Turn Me Around] - Traditional
CD-2   Flute Band In Gauteng 6:08
    Bass - Julian Crampton
  Drum Programming - Remi Kabaka
  Guitar - Phil Hudson
  Keyboards - Jhelisa , Pete Z*
  Mixed By - Jhelisa , Stewart Cararas
  Producer - Stewart Cararas
  Recorded By - Andy Fryer
CD-3   Culture Of Silence - Part 1 1:09
    Bass [Acoustic] - Richard Molton
  Drum Programming - Raj Gupta
  Drums [Acoustic] - Terence Higgins
  Engineer - Stewart Cararas
  Keyboards - Brian Coogan , Jhelisa
CD-4   Culture Of Silence - Part 2 5:05
    Bass [Acoustic] - Richard Molton
  Drum Programming - Raj Gupta
  Drums [Acoustic] - Terence Higgins
  Engineer - Stewart Cararas
  Keyboards - Brian Coogan , Jhelisa
CD-5   Journey Of Life (In Nine Minutes) 9:11
    Drums - Vinnie Lammi
  Percussion [Acoustic] - Pandit Dinesh
  Percussion [Additional] - Raj Gupta
  Recorded By, Guitar, Bass - Sagat Guirey
  Written-by [Music] - Sagat*
CD-6   Love Is A State Of Mind 5:38
    Bass [Acoustic] - Richard Molton
  Drum Programming - Raj Gupta
  Drums [Acoustic] - Terence Higgins
  Electric Piano [Rhodes] - Brian Coogan , Jhelisa , Kendrick Marshall
  Engineer - Stewart Cararas
CD-7   Walking On Air 4:36
    Bass [Acoustic] - James Singleton
  Drums - Terence Higgins
  Electric Piano [Rhodes] - Kendrick Marshall
  Engineer - Stewart Cararas
  Sitar [Electric] - Stewart Cararas
CD-8   Far I Have Come, Far I Must Go 4:52
    Bass - Andy Waterworth
  Keyboards - Pete Z*
  Recorded By - Riley Jackson
  Written-by [Music] - H. Willemyns* , John Roan
  Written-by [Music], Recorded By, Drums, Percussion - Raj Gupta
CD-9   Survivin' (In The Key Of Eflat) 6:03
    Bass [Acoustic] - Jackie Pickett
  Percussion - Kenita Murray
  Recorded By - Bert Elliot
  Recorded By, Mixed By - Jai Hutcherson
  One Week With Jhelisa
DVD-1   One Week With Jhelisa: Rediscovering America - A Film By Markus Baden 51:55
    Mixed By - Stewart Cararas
  Other [Documentary Directed By] - Markus Baden
  Other [Interviews, Production] - Jan Hagenkötter

Credits

Artwork By [Design And Digital Compositions] - Rafael Jiminez Heckmann
Engineer, Producer - Stewart Cararas
Mastered By - Frank Marheineke
Mixed By - Raj Gupta (tracks: 3 to 8)
Photography [Booklet] - Markus Bader
Photography [Cover] - Sinden Collier
Producer - Raj Gupta (tracks: 3 to 8)
Producer, Vocals, Arranged By, Written-By - Jhelisa
Recorded By - Drew Vandahar (tracks: 1, 3, 4, 6, 7) , Mark Bingham (tracks: 1, 3, 4, 6, 7)

Notes

Jewel case housed in slipcase, includes:
IC 124-2: A Primitive Guide To Being There
IC 125-5: One Week With Jhelisa

One Week With Jhelisa is a video documentary filmed in Spring 2005 as she worked on the album in New Orleans. A few months later her home and studio were destroyed by hurricane Katrina.
▸ show all 1 review

Reviews & Discussion

Rated 4/5
Review by scoundrel Aug 03, 2007 (edited over 2 years ago)
After a long absence, Jhelisa finally returns with A PRIMITIVE GUIDE TO BEING THERE. And while this album doesn't reach the heights that LANGUAGE ELECTRIC achieved, it's still quite an accomplishment. The gospel stomper, "Freedom's Land," quickly morphs into a more thoughtful and melancholy track, while maintaining the percussive movement. "Flute Band in Gauteng" has a Spanish flavor to it -- interesting, considering that Gauteng is in South Africa. Certainly, Jhelisa has returned to her acid jazz roots, prefering freeform compositions to accompany her sultry vocals, but she doesn't limit herself. "Journey of Life (In Nine Minutes)" integrates some South Asian percussion, while "Love is a State of Mind" goes for some sophisticated funk that should put some neo-soulstresses to shame. And "Far I Have Come, Far I Must Go" has the power of an old spiritual. Indeed, she can switch styles within the same song: "Survivin' (in the Key of E-Flat)" goes from a minimal vocals-and-bass dirge into a spry vocal workout. If anything, this album proves (despite its title) that Jhelisa is anything but primitive.
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