Jim Brouwer, Paul Emery, Joe Gilmore, Tom Knapp, Ed Martin (2), Alex Peverett - Poulenc
Label:
Catalog#:
CNV40
Format:
File, MP3, 192 kbps
Country:
Spain
Released:
31 May 2007
Genre:
Electronic
Style:
Abstract,
Experimental
Credits
Photography -
Lee Snoding
Notes
25 May 2002, The Crypt, Leeds Town Hall.
Poulenc is a live interpretation of Francis Poulenc's religious choral and organ work Litanies à la Vierge Noir (1936). The original work consists of a series of prayers to Mary and was composed after the composer's pilgrimage to the Marian shrine of Rocamadour which contains a wooden Black Madonna. Black Madonnas are thought to be related to pre-Christian Earth Goddess traditions. Their dark skin, the colour of fertile earth, is associated with feminine sexual power and an archetypal Earth Mother who presides over both fertility and death.
The ensemble performed on three consecutive nights to three different audiences. The unedited recording documented here was recorded directly to DAT on the second night and contains no overdubs or post-production. It was the intention of the artists to preserve the spiritual nature of the original work, to harness the sacred and cosmic, whilst recontextualising the sound.
Thanks to:
Dominic Gray, Lumen, Chris Gladwin, Dave Corbett, George Rogers and Alejandro Jodorowsky. Also thanks to the University of Lincolnshire & Humberside for the use of their Kyma sound design system.
Commissioned by: Opera North
Poulenc is a live interpretation of Francis Poulenc's religious choral and organ work Litanies à la Vierge Noir (1936). The original work consists of a series of prayers to Mary and was composed after the composer's pilgrimage to the Marian shrine of Rocamadour which contains a wooden Black Madonna. Black Madonnas are thought to be related to pre-Christian Earth Goddess traditions. Their dark skin, the colour of fertile earth, is associated with feminine sexual power and an archetypal Earth Mother who presides over both fertility and death.
The ensemble performed on three consecutive nights to three different audiences. The unedited recording documented here was recorded directly to DAT on the second night and contains no overdubs or post-production. It was the intention of the artists to preserve the spiritual nature of the original work, to harness the sacred and cosmic, whilst recontextualising the sound.
Thanks to:
Dominic Gray, Lumen, Chris Gladwin, Dave Corbett, George Rogers and Alejandro Jodorowsky. Also thanks to the University of Lincolnshire & Humberside for the use of their Kyma sound design system.
Commissioned by: Opera North