| Nightstalker | 9:07 | |
| Late Night (Dissonant Dub) | 7:23 | |
| Circuit Breaker (John Creamer & Stephane K Remix) | 4:26 | |
| Heavy Fluid | 5:40 | |
| Control Of Sound | 7:30 | |
| Barotek (Blackwatch Threshold Dub) | 6:54 | |
| Mothership (Steve Porter Remix) | 7:07 | |
| Lacuna | 2:28 | |
| Love Like Sleep (Dub) | 7:00 | |
| Struggle For Pleasure | 7:18 | |
| London | 8:33 | |
| Janeiro (Original Mix) | 8:19 | |
| Janeiro (Saffron Mix) | 6:17 | |
| Music Don't Stop | 5:48 | |
| One Last Time (Quivver's Amytiville Dub) | 6:52 | |
| Soulfeel (The Senses EP) | 8:20 | |
| Mansdisco (Original Mix) | 6:31 | |
| Bon Voyage | 6:00 | |
| Deep Blue | 5:50 | |
| Diminished Responsibilty | 7:02 |
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Bedrock: Compiled And Mixed By Jimmy Van M (2xCD) | Bedrock Records | BEDCD2 | UK | 2001 | |
| Bedrock: Compiled & Unmixed By Jimmy Van M (3xLP) | Bedrock Records | BEDLP02 | UK | 2001 | |
| Bedrock: Compiled And Mixed By Jimmy Van M (2xCD, Comp, Mixed) | Pioneer Music | PIO-CD-5163-2 | US | 2001 |
referencing Bedrock: Compiled And Mixed By Jimmy Van M, 2xCD, Comp, Mixed, PIO-CD-5163-2
referencing Bedrock: Compiled And Mixed By Jimmy Van M, 2xCD, BEDCD2
referencing Bedrock: Compiled & Unmixed By Jimmy Van M, 3xLP, BEDLP02
referencing Bedrock: Compiled & Unmixed By Jimmy Van M, 3xLP, BEDLP02
Disc 1 is stripped down to bare essentials, with the dubbed out tech-house of Late Night providing an early high point. The intensity builds through the industrial-edged Control of Sound, with the peak of Tocharian and Love Like Sleep burning up the tension.
Disc 2 offered trancier stylings, but is no easier a listen. The two mixes of Janeiro offer the mix's first truly great hook, and dissolve into the howling of dogs. A couple of run-of-the-mill prog cuts from Brancaccio & Aisher and Quivver lead into the oddest turn on offer, the classic trance (and i mean old school, Accident In Paradise grade stuff here) pastiche of Mansdisco. After the screaming peaktime anthem antics of Bon Voyage (quite possibly the biggest tune of all time, but Jimmy's earnt it by now), this style is reasserted. it's a strange manoeuvre, but then there are obvious parallels between the dark stylings of '02 prog house and the minimal arpeggiated goodness of '92 trance that make it work.
A classic mix of the genre...but of the genre it certainly is.