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Shortcut Code: [r1121877]
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3.67 / 5 (6 votes)
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John Digweed - Transitions, Vol. 3

Label:
Catalog#:
90777-2
Format:
CD, Compilation, Mixed
CD, CD-ROM
Country:
US
Released:
25 Sep 2007
Genre:
Electronic
Style:
Progressive House, Minimal, Tech House

Tracklist

1.01 Sasha  -  Coma (Transitions Intro Edit) 3:05 X
    Edited By - John Digweed
  Mixed By, Engineer - B. Jamieson* , C. May*
  Producer - COMA (13)
  Programmed By [Additional] - L. Leite*
  Written-By - A. Coe* , C. May*
1.02 Marc Marzenit  -  Spheere 5:48 X
    Written-By - M. Marzenit*
1.03 Sweet N Candy*  -  There 2:42 X
    Written-By, Producer - Rico Henschel
1.04 Lawrence  -  Along The Wire (Superpitcher Remix) 2:02
    Remix - Superpitcher
  Written-By - Peter M Kersten*
1.05 Einzelkind  -  Maferefumeco 3:34 X
    Written-By, Producer - Arno Völker , Miguel Ayala
1.06 Christian Fischer  -  Advance Panorama 3:03 X
    Written-By, Producer - Christian Fischer , Tobias Fiedler
1.07 Daniela Stickroth  -  Chest In The Attic 3:30 X
    Written-By, Producer - Daniela Stickroth
1.08 Joel Mull  -  Begun The End Has 4:38 X
1.09 Paul Ritch  -  Messene 5:16 X
    Composed By, Producer - Paul Ritch
1.10 Reshuffle  -  Hedonism 3:22 X
    Written-By, Producer, Arranged By - Guy Gerber , Niv Hadas
1.11 Pelle Buys  -  Come Into My World (Chaim Mix) 3:44 X
    Remix - Chaim Avital
  Written-By, Producer - Pelle Buys
1.12 Chaim*  -  Genesis 3:56 X
    Written-By, Producer - Chaim Avital
1.13 Dusty Kid  -  Kore 3:38 X
    Written-By, Performer, Producer, Arranged By - Paolo Alberto Lodde
1.14 Aldo Cadiz  -  JS Cuba 1:16 X
    Written-By, Producer - Aldo Cadiz
1.15 Ink And Needle  -  Seven 3:55 X
    Written-By, Producer - Ink And Needle
1.16 Someone Else (2)  -  Lowdown Brittle (Wink's Profound Sound Interpretation) 5:48 X
    Producer [Additional] - Josh Wink
  Remix - Wink*
  Written-By, Producer - Sean O'Neal
1.17 Solead  -  Giddy Down (Jamie Stevens Mix) 3:54 X
    Remix - Jamie Stevens
  Written-By, Producer - Charles Michaud , Vincent Courcot
1.18 Adam Freeland  -  Silverlake Pills (Gui Boratto Remix) 5:32 X
    Producer - Adam Freeland , Alex Metric
  Remix - Gui Boratto
  Written-By - Adam Freeland , Alex Drury
1.19 Umek  -  Ricochet Effect 4:01 X
    Written-By, Producer - Uros Umek*
1.20 Guy J  -  Save Me 4:53 X
    Written-By, Producer - Guy Jadah*
2.01 John Digweed  -  Gridlock (John Digweed And Nick Muir's 25 Minute Extended Mix) 25:07
    Written-By, Producer, Remix - John Digweed And Nick Muir*

Credits

Artwork By [Design/art Direction] - David Malone
Artwork By [Retouching] - Richard Dawson
DJ Mix - John Digweed
Edited By [Digital] - Paul Morris
Photography - Dan Reid

Notes

CD-Rom contains exclusive, unseen video footage from John's show at The Mayan, L.A.

Mixed on Ableton Live. Mastered in Pro-Tools.
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Reviews & Discussion

Review by proghousedj Aug 09, 2009
I have been a fan of John Digweed ever since I was introduced to electronic music through the Communicate album. He has been my main influence as I pursue my own musical endeavors. Every time he releases an album, I think to myself as I start it, "Is he really that great of a DJ?" Before this mix was released, his first Global Underground in Sydney had remained at the top of my list.

This one blew the rest out of the water for me. The mixing is absolutely fantastic, and the style of the tracks I think is where we see the first concrete example of Digweed's change from the traditional progressive house to a techno/tech-house based sound.

This mix features a flashback to some old-school 8-bit Nintendo sounds that work so well with tech-house music. Tracks 11-16 are a perfect example of this.

After my first few listens to the mix, I would have to say the one that completely sold me was the mix from track 10 to 11, Papparazzi to Come Into My World. I don't think I have ever heard a mix based on complimentary bass lines weaving that way, and when layered it was pretty much the audio definition of Synergy.

In comparison to Transitions volume 4, which I also love- I would say this one is more innovative in the track selection as well as the mixing, whereas part 4 was leaps and bounds ahead of the pack in mixing, but has a less innovative track selection.