Artwork By [Layout] -
Traveling Bombadils
Photography [Backgroundpicture] -
NASA
Photography [Photo-artwork] -
Laura Amorez
Written-By, Producer -
John Starlight
Notes
A1 mix name misspelled as "Orirginal Mix" on sleeve
(P) 2002 Art of Perception / Superstar Recordings
(C) 2002 Superstar Recordings
Distributed by DMD
Published by Copyright Control
side A: A1
side B: AA1, AAA1
Barcode: 4 014235 420171
Review by oelliSep 04, 2006(edited over 3 years ago)
Tha Bassline is like from a Happy-Hardcore-Track but its more deep and closed. The Synth are just totaly overplayed, but the track as a whole is am bomb ! The first time i heard this record it was like "yeah, THAT is a track". Absolutely Dancefloor-Party-Guarrantee !!
Review by RaijinJan 31, 2005(edited over 4 years ago)
I certainly enjoyed this release, but i'd have to say that the Tom Wax mix is the best interpretation. Although it doesn't deviate from the original arrangement much, it defintely has a harder, darker, insidious feel to it that was dissapointingly understated in the other mixes I heard. This is a killer bassline-dependent track; hearing this on a 100k JBL live rig is like a trip to hell in itself. I'd play this live, but to tell you the truth, i've been hard pressed to find other tracks that mix well into it; Hard trance just doesn't sound that evil without losing it's restraint and turning into hardstyle.
Anyone that says Blood Angels isn't well-produced obviously isn't a producer.That shit ain't easy,you know.
I haven't ever heard a techno track like it,and it's not a case of "use as a filler"(you nonce) or "play at the right time",because if you dropped this track in Fabric on a saturday night at ANY time,it would rock the fuckin' party.
Believe it or not,this track is actually huge in the UK techno/house scene.It is obscure,but it's also genius.
I think I would have to say something about this track. It's got a feal of un-professionalism to it. But for some reason, when you listen to the track, it comes off as so original, that the professionality or polished-ness of it just dosent seem to matter. Its what everone said, dark, fun, funky, evil. All rolled into one. Definatly kill a dancefloor, if dropped at the right time.
If there was only one word to descirbe this track, it would be HARD. Badly vocoded vocals, crispy grinding sounds and a killer bassline give the first few seconds a wannabe raw feeling. But when the main synth bumps in, it's total euphoria and no one can miss the point. And as there is always some modifications along the way, the DJ have absolutely no job to do except to let the record play. Give this a play and the whole dancefloor will be full of fear as to "what the fuck is this shit ?". Soon enough, everyone will be jumping everywhere and when the main surprise will hit the speakers, everybody will shout in total awe. Mass destruction weapon for the dancefloorheads.
Not happy, this track is just plain and simple not happy. Ive seen this played in a group of 1000 party kids and it scared the shit out of em. Ha. If you are an angry person, you need this for a bad day.