Ken Ishii - Sleeping Madness

Ken Ishii ‎– Sleeping Madness

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Tracklist

Misprogrammed Day
Khaotic Khaen
Where Is The Dusk
Game Over
Mising Melody
Water Dripping Down On The Middle Of The Forehead
24Bit Optimist
Bugged-In Fusion
Sleeping Madness
Enso Online
Misted

Versions

Title Label Cat# Country Year
Sleeping Madness (2xLP) R & S Records RS 99153 Belgium 1999
Sleeping Madness (2xLP) SMEJ Associated Records AIJT 5026~7 Japan 1999
Sleeping Madness (CD) SMEJ Associated Records 494823.2 Japan 1999
Sleeping Madness (CD + CD, Mini) SMEJ Associated Records AICT 71~72 Japan 1999
Sleeping Madness (CD, Album) R & S Records RS 99153 CD X Belgium 1999
Sleeping Madness (CD, Album) R & S Records RS 99153 CD Belgium 1999
Sleeping Madness (CD, Album) R & S Records, Creative Vibes CVOS1015 Australia & New Zealand 1999
Sleeping Madness (CD, Album) Zomba Records, R & S Records RTD119.3613.2, RS 99153 CD Europe 1999
Sleeping Madness (CD, Album, Promo) R & S Records RS 99153 CD PROMO Belgium 1999
▸ show all 2 reviews

Reviews & Discussion

Rated 4/5
Review by scoundrel Jan 25, 2009

referencing Sleeping Madness, CD + CD, Mini, AICT 71~72

Ken Ishii returns to his techno roots with Sleeping Madness, all shiny and polished. “Misprogrammed Day” wiggles with futuristic machine oil, while “Where is the Dusk” merges frantic drum action into a tech-jazz atmosphere. “Enso Online” thrums with a thick double bass and twisty funk that pushes wild on “24bit Optimist.” The martial rhythms on “Bugged-in Fusion” is like a full-on robot parade, with triumphant horns and all. The title track is almost house-like in its joyousness, while on the bonus disc, “Hedgehopping” once again lays out the funky breaks. Madness? Not quite.
Review by EDJ303 Sep 23, 2003

referencing Sleeping Madness, 2xLP, RS 99153

Ishii's first album for R&S in four years shows what he's been up to in the last half of the '90s: tracking further developments in experimental dub (thanks to the Germans) and techno-jazz (thanks to the Brits and Americans). And though the references to varying forms of listening techno crop up quite a bit, most of these productions aren't chained to the chill-out couch by any means. They're just as sleek and fast-moving as Ishii's classic productions, and reliant on the same bubbling groove. So it's the best of both worlds: a new sound, but one with Ishii's feel for traditional techno.

Master Release

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[m19711]
4.13 / 5 (98 ratings)
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