Deason's track is one of the most hypnotising, repetitive techno tracks - from that era - ever. I used to spin it in all my Detroit (& house!) Dj-sets. Methodology: Have it mixed in, let it play & play & play (... & play ...). Hear the sound getting fuller every minute, feel it grow! Don't touch it and definitely don't mix before the break at the end of the track. Watch the crowd when the bassdrum kicks in again. Both, dj & dancefloor are now fully satisfied. U may mix that other track now or finalise your set and leave the rest to the other guy programmed that night ;)

To me it's all about the Chasers track. Odd complicated rhythm and filtered and resampled synths chords bringing the real futuristic sound kenny was doing at the time. Like his Xirtam and Plink Plonk remixes and Warp releases. I always imagined he experimented with his machines like he did working as an engineer in the army. The shit is like a very minimal hard techno track that doesn't do anything for me. To bad Kenny lost it the last 10 years.