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Master Release

Shortcut Code: [m9330]
Data Quality Rating: Needs Vote
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Ratings

4.5 / 5 (84 votes)

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Kings Of Convenience - Quiet Is The New Loud

Genre:
Rock
Style:
Folk Rock, Acoustic
Year:
2001

Tracklist

Winning A Battle, Losing The War 3:51 X
Toxic Girl 3:07 X
Singing Softly To Me 3:01 X
I Don't Know What I Can Save You From 4:34 X
Failure 3:31 X
The Weight Of My Words 4:04 X
The Girl From Back Then 2:28 X
Leaning Against The Wall 3:16 X
Little Kids 3:43 X
Summer On The Westhill 4:30 X
The Passenger 3:10 X
Parallel Lines 5:11 X

Versions

Title, FormatLabelCat#CountryYear
Quiet Is The New Loud (CD, Album) Source UK, Source UK SOURCD019, 7243 5 29072 2 9 UK & Europe 2001
Quiet Is The New Loud (CD, Album) Astralwerks ASW 29072-2 US 2001
Quiet Is The New Loud (CD, Album) Virgin Records (Japan) VJCP-68325 Japan 2001
Quiet Is The New Loud (CD, Album + CD, Single, Ltd) Source UK, Source UK SOURCD019, 7243 5 29072 2 9 UK & Europe 2001
Quiet Is The New Loud (CD, Album, Promo) Source UK SOURCDP 019 UK 2001
Quiet Is The New Loud (LP, Album) Source UK SOURLP019 UK 2001
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Reviews & Discussion

Rated 5/5
Review by scoundrel Aug 02, 2004 (edited over 5 years ago)

referencing Quiet Is The New Loud, CD, Album, SOURCD019, 7243 5 29072 2 9

Absolutely gorgeous. Though the Kings of Convenience's first album is not "electronic" in the strictest sense (or in any sense), there's still no denying the utter beauty of this album. The first track on the album, "Winning a Battle, Losing the War," is my favorite, full of shimmering guitars and pensive lyrics; the track doesn't explodes as much as it blossoms right at the end. "Singing Softly to Me" throws in some trumpet to emphasize the call-and-response of the song, while "I Don't Know What I Can Save You From" adds a mournful cello towards the end, as if underlining the futility of the situation. The haunting melodies and the powerful lyrics get under your skin and stick in your head. An underlying melancholy lies at the heart of some of the outstanding tracks like "The Weight of My Words," "Little Kids," and the powerful closing tracks, "The Passenger" and "Parallel Lines." The album titles says it all: QUIET IS THE NEW LOUD.