| 1 | Crazy | 6:56 | X | |
| Written-By - Pini* | ||||
| 2 | Buffer Overdrive | 7:52 | X | |
| Written-By - Christof* , Frederic Holyszewski* | ||||
| 3 | No More Ghosts | 8:24 | X | |
| Written-By - Joey* , Merv* | ||||
| 4 | Next Stop | 7:43 | X | |
| Written-By - Christof* | ||||
| 5 | FM 17 | 8:08 | X | |
| Written-By - Mino Vaknin* | ||||
| 6 | This Can't Be Real | 7:22 | X | |
| Written-By - Frederic Holyszewski* | ||||
| 7 | Acid Drome | 7:27 | X | |
| Written-By - Ian Ion | ||||
| 8 | Side Effects | 8:06 | X | |
| Written-By - Ian Ion | ||||
| 9 | Voice Of | 8:49 | X | |
| Written-By - Ian Ion , Xavier* | ||||
'U-Turn' is the epitome of a beautifully produced, but often unmemorable listening experience, disjointed and lacking cohesion (aptly pointed out by the last reviewer). I definitely cannot stomach tracks 1-4, with the gimmicky machine gun basslines. To hear Koxbox, of all people, adopt this formula is heartwrenching. Incredible production values, for sure, but I just can't take them seriously. However, that's not to say there isn't something to be found and enjoyed in them, and repeat listens do reveal impressive intricacies.
The next two tracks are interesting, but still nowhere near the Koxbox level of greatness we've come to expect. The tracks noodle along and never really grab my attention. I definitely do like this hybrid 'psy-techno' style, but I think fans from either scene will not be too impressed. There's not enough "meat" there, IMO.
Fortunately for me, the further we continue, the harder and darker it gets. While the first half really lost me with its psytrance formulas and so-so hybrid pieces, things start picking up with 'Acid Drome.' Forget the 16th note basslines, predictable breakdowns and constant sound fx. Here we have well thought out, pounding dark tracks that truly open up a new side to Koxbox. They've always had a knack for the dark and psychedelic, but here they are decidedly EVIL. Woohoo! Keep it coming!
All in all, I still can't make up my mind on this disc. I am impressed again by the pristine production and mastering, the creativity involved, and the willingness to try some new things. But I am still disappointed with the formulaic approach in the beginning of the journey. It's just not "Koxbox" for me and I refuse to think otherwise :) Maybe in a few years I will appreciate it more. Who knows. The fact I wrote an essay on this release means there must be something there worth hearing.