Kruder Dorfmeister* ‎– The K&D Sessions™

Label:
Studio !K7 – !K7073LP
Format:
4 × Vinyl, LP, Partially Mixed, Compilation
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A1 Roni Size / Reprazent Heroes (Kruder's Long Loose Bossa)
A2 Alex Reece Jazz Master (K&D Session™)
B1 Bomb The Bass Bug Powder Dust (K&D Session™)
Rap [Featuring] – Justin Warfield
B2 Lamb Trans Fatty Acid (K&D Session™)
C1 Count Basic Speechless (Drum 'N' Bass)
C2 Rockers Hi-Fi Going Under (Main Version) (K&D Session™)
D1 Depeche Mode Useless (K&D Session™)
Producer – Tim Simenon
D2 Count Basic Gotta Jazz (Richard Dorfmeister Remix)
E Trüby Trio Donaueschingen (Peter Kruder's Donaudampfschifffahrtsgesellschaftskapitänskajütenremix)
F1 Aphrodelics Rollin' On Chrome (Wild Motherfucker Dub)
F2 Knowtoryus The Revenge Of The Bomberclaad (K&D Session™)
G1 David Holmes Gone (K&D Session™)
Vocals – Sarah Cracknell
G2 Sofa Surfers Sofa Rockers (Richard Dorfmeister Remix)
G3 Mama Oliver Eastwest (Stoned Together)
G4 Bomb The Bass Bug Powder Dust (Dub)
Rap [Featuring] – Justin Warfield
G5 Kruder & Dorfmeister Boogie Woogie
H1 Sin Where Shall I Turn? (K&D Session™ Vol. 2)
H2 Bone Thugs-N-Harmony 1st Of Tha Month (K&D Session™)
Producer – DJ U-Neek
H3 Kruder & Dorfmeister Lexicon
H4 Knowtoryus Bomberclaad Joint (K&D Session™)
H5 Rockers Hi-Fi Going Under (Evil Love And Insanity Dub)
H6 Strange Cargo Million Town (K&D Session™)

Credits

Notes

Made in France.

The sleeve and label both omit Knowtoryus - "Bomberclaad Joint (K&D Session™)", incorrectly listing five tracks on side H instead of six, and the alternate version exclusive to the vinyl is mislabeled.

G and H-sides are DJ mixed together.

Barcode and Other Identifiers

  • Barcode (Text): 7 30003 70731 5
  • Barcode (String): 730003707315
  • Label Code: LC 7306

Other Versions (Showing 5 of 7) View All

Title, Format Label Cat# Country Year
The K&D Sessions™ (2xCD, Mixed, Comp, Dig) Studio !K7 !K7073CD Germany 1998
The K&D Sessions™ (2xCD, Mixed, Comp, Dig) Studio !K7 !K7073CD Portugal 1998
The K&D Sessions™ (2xCD, Comp, Mixed, Jew) Studio !K7 !K7073CD Germany 1998
The K&D Sessions™ (2xCD, Mixed, Comp, RP, Dig) Studio !K7, G-Stone Recordings !K7073CD, France  
The K&D Sessions™ (4xLP, Par) Studio !K7 K7 073 LP   2011
▸ show all 6 reviews

Reviews & Discussion

loxxwood May 08, 2012 (edited 17 days ago)
BOOTLEG ALERT!

I recently purchased this album at what I thought was a too good to be true price from the US.
It arrived and looked all so nice and great condition almost unplayed as stated.
But as my suspition about the price pondered I took out my origional copy which I have had for years and `voila` you can see the difference straight away.

The major differences folks are first the cover is not the same colour as the origional which is a has more blueish tones.Also the writing on the origional is slightly indentated and on the bootleg the writing is flat.
Also you will notice the G-stoned label `g` is not present in the top right hand corner.
The origional cover also has a shinny glaze on the card but the bootleg is not as heavy and dull looking.

The actual vinyls first you will notice on the middle near the hole the origional has 2 concentric circles but the bootleg does not.The label quality of the bootleg is also not as good and in parts is slightly cracked and bubbly in places.It takes more effort to squeeze the record on the spidle as the hole is not cut so well.
The printing looks almost identical.
The actual pressing seems good quality and I cannot distinguish much sound difference to the naked ear when played side by side.
The bootleg though has quite a large lip on the outer rim and the vinyl is definately lighter and not as good quality.
Also in the run out grooves the origional has `cut by pole` etched inside but on the bootleg only the catalogue number is present.

I have seen loads of these go up for sale recently from the US so chances are like me if you bought a copy in the last 3 or 4 weeks you have bought a bootleg.
Quite a good scam when you can see how many people want this album and how much it normaly sells for plus I am sure copies have been going out through e-bay also.

If you have bought one of theese I would take it up with the seller straight away and make the paypal dispute and claim your money back like I have.
My seller would not refund me hence me letting the cat out of the bag here.
The sellers I am sure are aware they are passing off fakes as origionals so this is criminal.
They are also destroying the artists hard work to make one of the most definitive albums of this era so they should be stopped in their tracks.

Got to watch out as I am sure some people have bought it cheap and are maybe not aware they bought a boot and are going to try and sell it on for a higher price so be careful and ask sellers for confirmation they have an origional first.

I have emailed g-stone and they no nothing about any represses so this is for sure.
Peace out!
Rated 5/5
Review by SILWORLD Nov 01, 2010
Much derised genre, downtempo, chill-out, leftfield, was saved by these duo. What brilliant skills and fresh breeze they brought to the genre mastered by the Bristol movement. For me these two guys were the Todd Terje of the late 2000s. Pure masterclass and setting the standards that many many wannabes never got to reach. These collection should be in anybody's selection of timeless music. There is not let down. No fillers, all killers. MUST HAVE
Rated 5/5
Review by EPOCHALYPSE Mar 25, 2005 (edited over 7 years ago)
Probably one of the best albums of all time. An amazing collection of remixes from Peter Kruder & Richard Dorfmeister of Vienna. The production on these is incredible, the creations original. This sound has been bitten by every downtempo artist since 1998, but has never been done so well. The original downtempo dub. Respekt.