| 1 | The Warning | 1:38 | ||
| 2 | City Sphere | 6:13 | ||
| 3 | Forgotten Thoughts | 6:42 | ||
| 4 | The Sound Of The Big Babou | 7:19 | ||
| 5 | Unreasonable Behaviour | 1:19 | ||
| 6 | Cycles D'Oppositions | 5:01 | ||
| 7 | The Man With The Red Face | 9:11 | ||
| Saxophone, Flute [Ewee] - Philippe Nadaud | ||||
| 8 | Communications From The Lab | 5:15 | ||
| 9 | Greed (Part 1+2) | 6:45 | ||
| Percussion [Electro] - Daniel Bechet | ||||
| 10 | Dangerous Drive | 8:49 | ||
| 11 | Downfall | 5:36 | ||
| 12 | Last Tribute From The 20th Century | 5:15 | ||
|
Flute -
Philippe Nadaud
Vocals - Delia* | ||||
Be it one of his greatest calling cards, the jazzy and soulful The Man With The Red Face, the moody, melancholic, deeply emotional City Sphere and Communications From The Lab, with its heart tearing piano stabs, or maybe the stuff dance floor material is made up of, with Dangerous Drive and The Sound Of The Big Babou, or perhaps my favorite track here, Greed, haunted by a deep and menacing vocal sample and an entire series of crispy sounds and musical elements!
To make things even better, he ends the album with a track called Last Tribute From The 20th Century, which is a direct and honest tribute to the heroes and forefathers of the techno movement. Humble, magnificent, diverse, experimental, yet true to the form while refusing to stay confined within any apparent limits determined by genres or styles, "Unreasonable behaviour" is a work of a man who has been around the block quite a few times. Garnier knows the game, and he shows that he's a true architect of electronic music, not a follower. Timeless material.