| Took My Love Away | ||
| Surrender Yourself (Ballroom Mix) | ||
| Open Our Eyes | ||
| Touch Me! Touch Me!! | ||
| Taste My Love | ||
| APT. 1A | ||
| House For All | ||
| House Nation Under A Grove | ||
| Acid Kiss | ||
| I Called U (Why'd U Fall) | ||
| Future FJP | ||
| Can't Get Enough | ||
| Dream Girl | ||
| Hypnodelic | ||
| Move Me | ||
| I Like It Deep (Soozee Kreemcheeze Mix) | ||
| One Kiss | ||
| Planet E (House Mix) | ||
| Never No More Lonely | ||
| Proton Candy | ||
| The Morning After | ||
| Time To Feel The Rhythm | ||
| Brighter Days | ||
| We Shall Overcome (Richie Rich Hawtin Remix) | ||
| Harmonica Track | ||
| When I Fell N Love | ||
| Bang | ||
| Fluteorgie | ||
| 3 Weeks (Troy Pierce's Move Until You Leave Mix) | ||
| Hay Consuelo (Samim Remix) | ||
| Belly Dancing | ||
| Aurora | ||
| Samba | ||
| Spastik | ||
| A Walking Contradiction | ||
| Long Distance | ||
| After The Love/Layo And Bushwacka! - Ashes Remain | ||
| Walk Music | ||
| Ledge | ||
| Tabloid | ||
| What's Your Name? | ||
| The Sun Can't Compare (Long Version) | ||
| Lights In My Eyes | ||
| Saudade Remix |
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Global Underground GU33: Rio (2xCD) | Global Underground Ltd. | GU033CD | UK | 2007 | |
| Global Underground GU33: Rio (2xCD, Comp, Mixed, Ltd) | Global Underground Ltd. | GU033CDX | UK | 2007 | |
| Global Underground GU33: Rio (2xCD, Promo) | Global Underground Ltd. | GU033CD | UK | 2007 |
referencing Global Underground GU33: Rio, 2xCD, GU033CD
referencing Global Underground GU33: Rio, 2xCD, GU033CD
referencing Global Underground GU33: Rio, 2xCD, GU033CD
How can classic chicago tracks like Open Our Eyes, Taste My Love, Can't Get Enough, Never No More Lonely etc ever get tiresome or be old hat?!! Simply not possible!
In particular, some of those tracks rarely ever get put on classic compilations so Layo & Bushwacka! have really digged deep here. Consequently, this is not sellout material. If anyone thinks that an old Larry Heard track featuring Robert Owens from 1988 would get featured on your average MOS comp, then they're undoubtedly smoking crack.
The tracks on CD1 are the foundation of House. Give me these types of tracks anyday over run of the mill boring prog house/trance.
No wonder dance music is on its arse when people are so blinkered, so loathed to embrace change or anything even slightly different. Kudos to GU for trying something different at the very least.