history / edit

Release

Shortcut Code: [r560505]
All Versions of this Release
Data Quality Rating: Correct
Add to List

Ratings

4.34 / 5 (41 votes)
My RatingRate This!

Collections

159 have this
22 want this

Shopping

Search for this:
 eBay .uk
 Amazon .uk .de
X 6 For Sale
Sell This Item
edit

YouTube Videos

Lindstrøm & Prins Thomas - Lindstrøm & Prins Thomas

Label:
Catalog#:
541416 501427
Format:
CD, Album
Country:
Belgium
Released:
Nov 2005
Genre:
Electronic
Style:
House, Electro, Disco

Tracklist

1   Foreløpig Bit 5:18
2   Suppegjøk 5:11
3   Boney M Down 3:49
4   Turkish Delight 6:13
5   Feel Am 5:35
6   Don O Van Budd 7:39
7   Sykkelsesong 5:53
8   En Dag I Mai 4:56
9   Naa Er Druene Paa Sitt Beste 5:28
10   Horseback 8:50
11   Claudja 4:45
12   Plukk Og Pirk 8:51
13   Run 6:31
    Vocals - Torgunn Flaten

Credits

Artwork By [Sleeve Design] - Chris Bolton
Artwork By [Wood Illustration] - Juha Nuutti
Mastered By - Chris Sansom
Performer, Arranged By - Hans-Peter Lindstrøm* , Thomas Moen Hermansen
Written By - Lindstrøm , Thomas Moen Hermansen , Torgunn Flaten (tracks: 13)

Notes

Mixed at Casa De Prins Studios, Oslo.
Recorded at Feedelity Studios, Oslo.
Mastered at Living Room Mastering, Oslo.

Recommendations

▸ show all 1 review

Reviews & Discussion

Review by dysconnect Sep 06, 2006 (edited over 3 years ago)
I’m gonna cut and call it from the start: I think this is one of the best new releases I’ve heard all year, easily. A quiet wow. Not just a new soundmap, but maybe even a different kinda compass. It might be dubbed psychedelic disco universal boogie, for easy reference, but handle with care - there’s a more beautifully bastard groove at work on your headspace than an off-the-rack label will lead you to – this duo have swallowed their influences whole and assimilated them, subliminated them and re-constituted them into something intensely reminiscent, yet entirely of and on its own.
It’s a musical map that overtly references kraut rock, italo/disco and postpunk, but also sheds an innate affinity with incidental musak, TV theme choons of olde and even chill comp. filler. Throughout, there’s an exceptional understanding of melodic narratives & groove building. It’s another episode of songcraft’s revenge, sublimely composed in all senses of the phrase, and made into something as agreeable as it is satisfying.
The tracks will sit weightlessly on the edge of audibility, but it’s not wallpaper – despite the lack of apparent gravity there’s a definite propulsiveness, an urge at work that bends you and time and tunes forward, onward.
Perfect driving music, and I’m reminded of other wonderful freeway albums; Can’s Future Days, Kraftwerk’s Trans Europe Express and even Dark Side (or perhaps better and more apt, Dub Side) of the Moon. Turn it up and it turns you on, keep it playing and it’ll keep you fed or (let’s mix a metaphor) lit-up and warm like a well-built campfire. There is a similarity there with a nice fire, that sense steady combustion – its actual warmth and then the intangible resonance, the thing that draws you to it.
I have as little doubt as my scepticism will allow that this album will become a classic – but wither the future, for at least the time being, this is the best thing I can put my ears close to.
Lovely.