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Shortcut Code: [r1412919]
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4.56 / 5 (45 votes)
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Lindstrom - Where You Go I Go Too - Live at Electric Zoo - 9/6/2009

Lindstrøm - Where You Go I Go Too

Label:
Catalog#:
STS153CD, STS153
Format:
CD, Album
Country:
Norway
Released:
18 Aug 2008
Genre:
Electronic
Style:
Deep House, Disco

Tracklist

1   Where You Go I Go Too 28:58 X
2   Grand Ideas 10:11 X
3   The Long Way Home 15:58 X

Credits

Artwork By [Cover] - Kim Hiorthøy
Mastered By - Chris Sansom
Mixed By [Final Mix] - Knut Sævik
Written-By, Recorded By, Arranged By, Performer, Mixed By - Hans-Peter Lindstrøm*

Notes

Cat# STS153CD is found on the spine, cat# STS153 is found on the last page in the booklet.

Written, recorded, arranged, performed & mixed at Feedelity Studios / LHA Studio in Oslo, Norway
Final mix at Krise Studio, Oslo.
Mastered at Engine Ears in Oslo.

Thanks to Knut Sævik, Vegard Waske, Rune Nordhaug, Trond Tornes, Alex Lindblad, Kim Hiorthøy, Chris Sansom, Jonas Holst, Prins Thomas, Lin, Leo & Julian.

Special thanks to Joakim Haugland!


All tracks published by Feedelity Music Publishing / Sony ATV Publishing Scandinavia
Utgitt med støtte fra Fond For Lyd Og Bilde og Fond For Utøvende Kunstnere
Barcode: 6 00116 84532 0
Manufactured by Optimal Media Production
(C)&(P) 2008 Feedelity Records / Smalltown Supersound.
All Rights Reserved

Recommendations

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Reviews & Discussion

Review by memorial Nov 29, 2008
This is probably my favourite album of 2008. Mixing what I see as the delight cheesyness of Giorgio Moroder beats and arps with Tangerine Dream -like marimba samples, I think this epic album kind of wraps together everything I liked about cheesy italo/disco and other synthpop genres.

Some say the album lacks dynamics and organic feel. I do agreee at some points, but personally I think WYGIGT is one of the few albums of 2008 that has signs of a responsible mastering process. You can turn up the volume a bit without growing ear-fatigue, and that's always a good sign.
Review by Numanoid Oct 20, 2008
"Where Georgio goes so does Lindstrøm". At the end of a decade artists either break off and start building on new ground (as punk did in the 70's, and acid house in the 80's) or turn out a more polished version of the sound du jour. This album falls in the latter category. It is nice enough, three solid tracks of slowly evolving italo grooves, but there is nothing here that stands out in a crowded genre. At the end of the album I felt like I had been listening to a product demo for Native Instruments FM8. Next time I think you should go somewhere no-one has been before Lindstrøm.