| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Pull The Plug (4x12") | Hospital Records | NHS12LP | UK | 1999 | |
| Pull The Plug (CD, Album) | SMEJ Associated Records | AICT 37 | Japan | 1998 | |
| Pull The Plug (CD, Album) | Form & Function | RTD 176.2923.2 | UK | 1999 | |
| Pull The Plug (CD, Album) | Hospital Records | NHS12CD | UK | 1999 | |
| Pull The Plug (CD, Album) | Hospital Records | NHS12CDX | UK | 1999 |
referencing Pull The Plug, CD, Album, NHS12CD
referencing Pull The Plug, CD, Album, NHS12CD
It's scope and ambition in terms of songwriting and live instrumentation is light years beyonds the norm for the genre. The stunning first track, "song in the key of knife", sets out their stall: it seems almost fully orchestral with brass stabs, whirling flute, strings, live bass and more. Most critically, none of these instruments appear as some basic repeated sample: rather, we have a brilliant crafted and scored piece of music, which almost feels short despite a length of 11:26.
Second track PBE follows up in the same brilliant vein. The outrageous basslines and stupendously tight wah guitar leave other funk pretenders weeping. Other highlights include "rewind", a gorgeous and wonderful vocal-led track featuring jazz singer Liane Carrol, which cranks up from an intimate, acoustic half-time vibe.
This is the sort of stuff people who've never heard of drumnbass will find beautiful - but the drumnbass elements are top-flight as well. The breaks are all sorts of tight, heavy, rolling and funky throughout... and we've already established how astonishingly good the basslines are. Other tracks are a little more dancefloor-orientated, stripping the funk down to the raw rhythm section.
Above all, it is that raw, raunchy edge which makes this album so special. Where others ape the polished, overproduced groove of disco, this album doesn't lose sight of the spirit of true funk: dirty, sweaty and unapologetically primal.